Yellow, purple, blue 3D graphic

Linz

Logo Anton Bruckner 2024 Logo Anton Bruckner 2024

Anton Bruckner in Linz

1840 to 1841 Training as an elementary school teacher in the preparatory school at Hofgasse 23.

1855 return to Linz as cathedral and city parish organist with official residence in the Mesnerstöckel at Pfarrplatz 164. Singer and successful choirmaster of the Liedertafel Frohsinn. Private teacher of Ludwig Boltzmann, among others. Musical studies with theatre conductor Otto Kitzler in Linz and Simon Sechter in Vienna. Compositions include the 1st Symphony and three large masses.

1869 composition of the Locus iste for the consecration of the Votive Chapel of St. Mary's Cathedral.

Bruckner G'schichten from Linz on YouTube

Program under development

Events in Linz

Ars Electronica Center Linz
Duration of the exhibition: 01.02. - 31.12.2024, Tue - Sun 10:00 - 17:00

The immersive sound space "Being Anton" at the Ars Electronica Center in Linz offers visitors the opportunity to explore Bruckner's world of sound in a completely new way. After all, when we think of Anton Bruckner, we usually think of his legacy, i.e. Bruckner's music and his sounds. But what soundscape surrounded Bruckner himself? What did he listen to in his everyday life? His life was characterized by many social upheavals triggered by the industrial revolution. The steam engine, for example, which was used in steam trains and steamships, not only changed people's mobility options at an unprecedented pace, but also brought a completely new soundscape into the world.
The installation "Being Anton", developed by the Ars Electronica Futurelab, allows visitors to immerse themselves in this world of sound that surrounded Anton Bruckner and his contemporaries. The link with examples from Bruckner's musical oeuvre creates points of contact between the two sound worlds.

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024 and the Ars Electronica Center

Ars-Electronica-Strasse 1 4040 Linz Details & Tickets

This focus of this project lies on ten women who played a vital role in the life of Anton Bruckner. Linz-based artist Zoe Goldstein spent over a year collecting information in order to compile these biographies. The aim is to cast the spotlgiht on these women and gain an idea of who they were and how they lived. Portraits and biographies are examined allowing us to question the role of women in society then and now. The title of the project links the importance of women to his art and refers to his mother, Theresia Bruckner, who was an important female constant in his life. To give a wider audience access to this topic and generate a discourse, this project has been conceived as a travelling exhibition in Linz, Steyr and Attersee. An additional item of the programme, following the opening in the Brucknerhaus on International Women's Day, is a production with a concert and a reading which will take place in the last month of the presentation at the square of the Mariendom (St. Mary's Cathedral).

11.03. to 01.04.2024 | Linz, Ernst-Koref-Promenade, meadow in front of the Brucknerhaus
02.04. to 30.04.2024 | Linz, Ars Electronica Center
02. 05 to 28.05.2024 | Linz, Arkadenhof in the Landhaus | barrier-free
June & July 2024 | Steyr, Werndlpark, Handel-Mazzetti-Promenade | barrier-free
August 2024 | Attersee | barrier-free
September 20 24 | Linz, Mariendom+

 

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024 with the kind support of the Federal Ministry of Arts, Culture, the Civil Service and Sport and the City of Linz / Linz Kultur

Zoe M. Riess aka Zoe Goldstein | idea, concept, direction

Friedrich Buchmayr (Textual, author of "Mensch Bruckner", St. Florian Abbey), Poxrucker Sisters, Elena Pierini (choirmaster of the Linz State Theatre) | Project participants

Lower Donaulände 7 4010 Linz Details & Tickets
Logo of the Federal Ministry of Arts, Culture, Civil Service and Sport

To commemorate the 100th anniversary of the consecration of St. Mary's Cathedral, the Diocese of Linz will hold a festive service. Bruckner's Mass in D minor is the musical focus of the service.

Admission free

Diocese of Linz - Cathedral Music

Cathedral Choir Linz

Choir of the Conservatory of Church Music Linz

Soloists and Orchestra of the Cathedral Music Linz

Wolfgang Kreuzhuber | Cathedral organist

Andreas Peterl | Cathedral conductor

Herrenstrasse 26 4020 Linz

You only turn 200 once! We are celebrating Anton Bruckner, why don't you join us! Visit our walk-in and interactive sound experiences on a guided walk and immerse yourself in the world of Bruckner.

Playing Anton
What is the gigantic, imposing sound of a Bruckner symphony made of? Playing Anton" in Deep Space 8K at the Ars Electronica Centre gives visitors the opportunity to approach this question in a playful manner": Together with other visitors, they can constantly re-arrange the various instrumental groups of the Bruckner Orchestra Linz using the innovative  and interactive technology of Deep Space 8K. Various facets of the musical and compositional perception of Bruckner's music are illuminated and reinforced by impressive 3D visualisations.
For example, "Playing Anton" - which was developed by the Ars Electronica Futurelab - allows visitors to immerse themselves visually and musically in Anton Bruckner's impressive world of sound together with the Bruckner Orchestra Linz. They can then explore its special features in an interactive manner, not just as listeners in front of the stage, but from right in the middle of the orchestra.

Being Anton
The immersive  "Being Anton" acoustic space at the Ars Electronica Centre in Linz allows visitors to explore Bruckner's world of sound in a completely new way. After all, when we think of Anton Bruckner, we usually think about his legacy, i.e. the music and sounds of Bruckner. But what acoustic space surrounded Bruckner himself? What did he listen to in his everyday life? His life was shaped by many social upheavals triggered by the industrial revolution. The steam engine, for example, which was used in steam trains and steamers, presented the people of that time with new mobility options at an unprecedented pace and also introduced new elements of sound to the world.
The installation "Being Anton", developed by the Ars Electronica Futurelab, allows visitors to immerse themselves in the world of sound that prevailed in the day of Anton Bruckner and his contemporaries. Linking the latter to examples from Bruckner's creative work generates points of contact between these two worlds of sound.

TOUR
THUR, SAT, SUN and public holidays, as well as during the Upper Austrian school vacations: 15:30 - 16:30
Duration: 60 minutes
Price: € 5.00

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024 and the Ars Electronica Center

Ars-Electronica-Strasse 1 4040 Linz

Ars Electronica Center Linz, Deep Space 8K
Duration of the exhibition: 01.02. - 31.12.2024, Tue - Sun at 16:30 each day

What makes up the gigantic, imposing sound of a Bruckner symphony? Visitors can approach this question in a playful way with "Playing Anton" in Deep Space 8K at the Ars Electronica Center: Playing together with other visitors, they can constantly re-form the various instrumental groups of the Bruckner Orchestra Linz thanks to the innovative interaction technology of Deep Space 8K. Various facets of the musical and compositional perception of Bruckner's music are illuminated, enhanced by impressive 3D visualizations.
For example, "Playing Anton" - developed by the Ars Electronica Futurelab - allows visitors to immerse themselves visually and musically in Anton Bruckner's impressive world of sound together with the Bruckner Orchestra Linz and interactively explore its special features. Not just as listeners in front of the stage, but right in the middle of the orchestra.

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024 and the Ars Electronica Center

Ars-Electronica-Strasse 1 4040 Linz Details & Tickets

This focus of this project lies on ten women who played a vital role in the life of Anton Bruckner. Linz-based artist Zoe Goldstein spent over a year collecting information in order to compile these biographies. The aim is to cast the spotlgiht on these women and gain an idea of who they were and how they lived. Portraits and biographies are examined allowing us to question the role of women in society then and now. The title of the project links the importance of women to his art and refers to his mother, Theresia Bruckner, who was an important female constant in his life. To give a wider audience access to this topic and generate a discourse, this project has been conceived as a travelling exhibition in Linz, Steyr and Attersee. An additional item of the programme, following the opening in the Brucknerhaus on International Women's Day, is a production with a concert and a reading which will take place in the last month of the presentation at the square of the Mariendom (St. Mary's Cathedral).

11.03. to 01.04.2024 | Linz, Ernst-Koref-Promenade, meadow in front of the Brucknerhaus
02.04. to 30.04.2024 | Linz, Ars Electronica Centre
02. 05 to 28.05.2024 | Linz, Arkadenhof in the Landhaus | accessible for those with impaired mobility
June & July 2024 | Steyr, Werndlpark, Handel-Mazzetti-Promenade | 
August 2024 | Attersee | accessible for those with impaired mobility
September 20 24 | Linz, Mariendom (St.Mary's Cathedral)

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024 with the kind support of the Federal Ministry of Arts, Culture, the Civil Service and Sport and the City of Linz / Linz Kultur

Zoe M. Riess aka Zoe Goldstein | idea, concept, direction

Friedrich Buchmayr (Textual, author of "Mensch Bruckner", St. Florian Abbey), Poxrucker Sisters, Elena Pierini (choirmaster of the Linz State Theatre) | Project participants

Lower Donaulände 7 4010 Linz Details & Tickets
Logo of the Federal Ministry of Arts, Culture, Civil Service and Sport

A ballet set to the music of Anton Bruckner. The libretto, concept and choreography are all from Stoyanova Ivelin accompanied by Petra Slottova on the flute. The dancers are students of the MAESTRO Theatre Ballet School with the support of the ATEM Dance Company.

Stoyanova Ivelin | Choreography, libretto, concept and artistic direction

Petra Slottova | Flute

Pupils and Copagnie ATEM from theMAESTRO Schhol of Ballet| Dancers

Rossitza Ekova Stoyanova | Costumes

Iassen Stoyanov | Stage design

Bismarckstrasse 18 4020 Linz Details & Tickets

The orchestral hall of the Bruckner Orchestra Linz is transformed to a classroom thriving with passion in which the imagination knows no bounds. Markus Poschner works with young musicians from our country on selected pieces of music. They are all winners of the "Prima la Musica" competition  and have all qualified for the national competition at state level.
The chief conductor illuminates musical angles and highlights points of connection that are of great interest to the audience.

Admission is free, tickets can be purchased before the event from the Visitors' Servicepoint in front of the orchestra hall in the Musiktheater

Markus Poschner | Principal Conductor Bruckner Orchestra Linz

Am Volksgarten 1 4020 Linz

No matter whether you are participating in a rocket flight into space, are in the middle of a waterfall, exploring the forest or crazy dancing: Bruckner's music propels us on a fantastic journey of discovery into nature, into our emotions. But how did other composers do this? Could they do it better? Who can best describe a dangerous encounter or a mountain meadow? Bruckner, Brahms or the famous film composers? Let's enter the fantastic world of music!

Claudio Novati | Conductor

Bruckner Orchestra Linz

Promenade 39 4020 Linz Details & Tickets

Salon Spontaneous Improvisations. Just like Anton Bruckner once did in the past, they invent music on the spot. Just like the jubilarian, they create something from what was previously nothing. The five spontaneous participants may not be sitting at the organ, but they still pull out all the stops: characters, dialogues and song lyrics seem to be created out of thin air, and all of this is combined almost magically before the eyes of the audience to create a piece of music theater.

A unique piece of musical theater, because SALON SPONTAN celebrates its first and last night at the same time in each and every show. So if you don't come, you will have missed it forever: "One Night Only - The most improvised musical in town"!

The Salon Spontan members are: Ursula Anna Baumgartner, Jessica Bannister-Pearce, Jürgen Kapaun, Magda Leeb and Johannes Peham.

Next Bruckner - The concert series curated by Ina Regen
11 concert evenings from January to November 2024 at Posthof Linz

Co-production: Posthof - Zeitkultur am Hafen

Ina Regen | Curation

Posthof - Zeitkultur am Hafen, Ina Regen | Co-production

Posthofstrasse 43 4020 Linz Details & Tickets

200 years of Anton Bruckner plus 250 years of the Upper Austrian Provincial Library - an impressive even number and a reason to rejoice and celebrate! On three evenings, musicians from the Bruckner Orchestra Linz will perform treasures of chamber music on the stage of the Upper Austrian Provincial Library as part of the "Mosaic" series.

From 4 p.m.: Insights into exquisite old manuscripts and prints
From 5 p.m.: The concert begins in the atrium of the library

Free entrance!

All dates at a glance:
Sat., 20.01.2024
SOUNDSCAPES AROUND BRUCKNER
Works by Gustav Mahler, Johannes Brahms, Henri Dutilleux and Antonín Dvořák
The first concert will feature chamber music works from Anton Bruckner's musical environment, such as those by his "pupil" Gustav Mahler, his Viennese counterpart, Johannes Brahms, Henri Dutilleux and his Bohemian contemporary Antonín Dvořák.

Sat., 16.03.2024
BRUCKNER'S SEVENTH!
Works by Richard Wagner and Anton Bruckner
Bruckner's large-scale 7th Symphony in the State Library? Hanns Eisler, Erwin Stein and Karl Rankl, all students of Schönberg, make it possible. They have arranged the symphony for less than a dozen musicians. This  interpretation offers a fascinating, transparent view of the masterpiece, preceded by Wagner's prelude to "Tristan and Isolde".

Sat., 11.05.2024
MIXED MOVEMENT
Works by Johann Sebastian Bach, Ludwig van Beethoven, Albert Roussel, Stefan Wolpe and Michail Glinka
The third concerto is a mixed movement, but here too there are clear links to Bruckner. Beethoven was one of his heroes and role models. Bruckner knew how to follow him in the creation of symphonies like no other in the 19th century. Johann Sebastian Bach, on the other hand, was a logical household deity for the organist, Anton Bruckner.

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024 with the Upper Austrian State Library and the "Mosaik" chamber music series by musicians of the Bruckner Orchestra Linz

Schillerplatz 2 4020 Linz Details & Tickets

The Linzer SIngakademie, in collaboration with the abbey's librarian and author, Friedrich Buchmayr, is presenting a special programme devoted to Anton Bruckner with original compositions and anecdotes on Saturday, 11 May 2024 at 17:00 and 19:00. Participants are asked to meet at the rehearsal rooms of the Linzer Singakademie (Linz Singing Academy), formerly known as the  Liedertafel or Sängerbund Frohsinn, for the reading and then walk to the nearby parish church of Linz to listen to the finest a cappella music.

Linzer Singakademie (Singing Academy of Linz)

Alexander Koller | Choirmaster

Friedrich Buchmayr | Author

Pfarrplatz 10 4020 Linz

Bruckner embroidery is a participatory art project in the form of collective embroidery. Participants meet in small groups to embroider a fragment of a Bruckner score.

Everyone is welcome to join in the embroidery! No technical knowledge is required. It's not about embroidering "correctly" but about how everyone does it in their own way: experimental, rough, precise, nervous, wild, calm...

The embroidery meetings take place at various locations in Upper Austria: on a market square, in a music school, in an inn, at a lake, in a private apartment, during a music rehearsal.

While the hands are busy, the conversations can free themselves. Just as the motif continues to be embroidered by all those involved, the stories continue to unfold. Meeting by meeting - note by note - stitch by stitch, the entire embroidery grows as the sum of each individual handwriting and personality.

The embroidery meetings are barrier-free!
Registration requested!

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024

Cécile Belmont | Artist

Café Volksgarten in the Musiktheater Linz
Am Volksgarten 1
4020 Linz

This series of lectures will focus on learning and teaching in the life of Anton Bruckner. Torn between art and science,  profession and vocation, theory and practice, six lectures by internationally renowned theorists and musicologists will shed light on this area of tension in the development and teaching career of Bruckner and present new findings in a representative way at the Bruckner University.

Free admission!
Please register here. Registration deadline 7 days before the event.

Anton Bruckner Private University

Prof. Dr. Christa Brüstle (Graz) | Lecturer

Alice-Harnoncourt-Platz 1 4040 Linz

Prof. Dr. Norbert Heinel describes Anton Bruckner's career from his beginnings to his great symphonies and also provides musical examples

Admission free! No membership necessary!

Richard Wagner Association Linz

Dauphinestrasse 19 4020 Linz

Punch and the organ pipes.

A puppet show about the Brucknerhaus organ for everyone aged 4 and over

The imposing organ, which sits enthroned at the back of the stage, is without a doubt the centrepiece of the Great Hall in the Brucknerhaus Linz. This is also the place where a very special Punch and Judy show is performed for families and children aged 4 and over. Both the stage and the organ become the venue. The protagonists, Punch and Judy, will embark on an exciting adventure. They have to find three organ pipes that have escaped. The three pipes have decided that they no longer want to stay in the dark organ case and have set off to seek their fortune in the big, wide world. But Anton Bruckner's ghost still wants to play his organ at night and needs all the organ pipes to do so. Punch has to help him! Working with members of the audience sitting on the stage, will he succeed in bringing the three runaways back?

Caroline Atschreiter | Organ

Gerti Tröbinger, Maximilian Tröbinger | Story, puppetry & production

Gerti Tröbinger | Equipment & puppet production

 

A cooperation project between the Kuddelmuddel Children's Cultural Centre and the Brucknerhaus Linz

Are you curious about Bruckner? Would you like to dive deeper into the world of the composer and the man himself? Would you like to pass on your own enthusiasm and knowledge?

Take advantage of this entertaining course offering all the music and information from and about Bruckner that it will take to expand your Bruckner horizons.

Number of participants:
The crash course will take place with a minimum of 5 participants and is limited to 25 participants.

Promenade 37 4020 Linz Details & Tickets

Cooperation partners: Institute for the Study of the Habsburg Monarchy and the Balkan Region at the Austrian Academy of Sciences (ÖAW/IHB) & Palucca University of Dance Dresden.
Concept: A. Lopez Leal (dancer & pedagogue ABPU) | J. Biondi (Professor of Contemporary Dance at the Palucca University of Dance Dresden) | M. Wahlmüller (composer & conductor) | Julia Purgina (Vice-Rector ABPU) | C. Wais (art historian at the Austrian Academy of Sciences)

Admission free!

Links to the dates:
Monday, 24.05.2024,16:00
INFO HERE

Saturday, 25.05.2024, 15:00
INFO HERE

Sunday, 26.05.2024, 14:00
INFO HERE

Anton Bruckner Private University

Dancers | Institute Dance Arts ABPU

Christina Wais | Austrian Academy of Sciences

Michael Wahlmüller | Composer & Conductor

Julia Purgina | Musical Coordinator

José Biondi | Palucca University of Dance Dresden

Annette Lopez Leal | dancer, teacher & choreographer ABPU

Herrenstrasse 26 4020 Linz

To mark the Bruckner Year, the Dommusik (Cathedral Music) will focus on the "Mass in D minor", which premiered in Linz 160 years ago, in its benefit concert for Pro Mariendom. The world-famous "Locus iste", composed for St. Mary's Cathedral, and organ improvisations on the Rudigier organ by Wolfgang Kreuzhuber, are also part of the programme for this concert.

Tickets at:
Online (see link below) or at the Domcenter
Domplatz 1, 4020 Linz,
Tel. 0732/946100, domcenter@dioezese-linz.at

Pro Mariendom - Cathedral Music Linz & Mariendom Linz

Andreas Peterl | Cathedral conductor

Wolfgang Kreuzhuber | Cathedral organist

Cathedral Choir Linz

Choir of the Conservatory for Church Music | Conductor: Ewald Donhoffer

Orchestra and soloists of the cathedral music

Cathedral Square 1 4020 Linz Details & Tickets

Contemporary performances from church to church

Contemporary improvisational art in relation to church rituals is the theme of this musical performance. Inspired by the liturgical process, the music of pilgrimages, preludes, text interpretations in the form of a performance, sculptures or pictures and postludes are all brought to life as instant compositions in the respective church spaces. In this way, the team of artists takes Anton Bruckner as theme. A man who, in his day, was much better known as an improviser than as a composer.

Each location has different images, texts and sculptures to offer. These invite viewers to tak the time to interpret these, reflect or remember. The musical/performative pilgrimage is also intended to be participatory. The performance pilgrims can choose Biblical verses or works of art along the way. The dancers and musicians enter into a dialogue with these texts and figures and bring them to life in the shape of music or movements.

- Start 14:30 St. Barbara Chapel on Freinberg: performance, approx. 15:00 Walk to St. Martin's Church.
- approx. 15:30 Performance St. Martin's Church, walk to the Minoriten Church.
- approx. 16:30 Performance Minoriten Church, walk to the Ursuline Church.
- approx. 17:15 Performance Ursuline Church, walk to Martin Luther Church.
- approx. 18:00 Performance Martin Luther Church and the afterglow

Participants
Conception, direction: Ao.Univ.Prof.Mag.art Karen Schlimp (Linz), Kristin Gutenberg - dance (Berlin), György Kurtag jun. - live electronics (Bordeaux), Eva Königer - voice, movement (Vienna), Lea Gisler - viola, Manuela Kloibmüller - accordion, Karen Schlimp - Indian harmonium & piano, Klaus Hollinetz - electronics (Upper Austria).
The performance team consists of musicians from Linz and performers from the CEPI (Central European Improvisers).

General information
The event will take place in all weather conditions. Please bring good shoes and rain protection if necessary. B
The Barbara Chapel (Römerstr. 94) can be reached by taking bus 26 (bus stop Vergeinerstraße or Jägermayrhof) and then walking approx. 10 minutes. Google Maps

Ticket reservations
Admission is free of charge. Please register (numbered tickets) as the number of places is limited.
Tickets ( to determine the number of visitors)

Accessible for those with impaired mobility:
All 3 churches are barrier-free!

Karen Schlimp

Karen Schlimp | conception, direction, piano and others

Kristin Gutenberg | Dance

Györgi Kurtag Jun. | Electronics

Eva Königer | Voice, Movement

Klaus Hollinetz | Electronics

Lea Gisler | Viola

Manuela Kloibmüller | Accordion

St. Barbara's Chapel on the Freinberg 4020 Linz Details & Tickets

At the tastings, which will, as an exception, only take place four times in the 2023/24 season, everything centres on anniversaries and jubilees as well as on the number 200: the 200th anniversary of the completion of Ludwig van Beethoven's famous Missa solemnis will be celebrated in 2023 and the 200th birthday of Anton Bruckner, but also that of Bedřich Smetana, in 2024. As usual, the Bruckner Orchestra Linz under the direction of its chief conductor, Markus Poschner, is responsible for the musical entertainment while BRUCKNER'S Restaurant will provide the refreshments at the end of the event.

 

Excerpts from Anton Bruckner's Symphony No. 3 in D minor, WAB 103 (1872-73) "1873 version"

 

Bruckner Orchestra Linz

Markus Poschner | Conductor

The Bruckner Orchestra Linz and Markus Poschner act as a guarantee of  unforgettable Bruckner events that are not only celebrated in Upper Austria, but resonate all over the world - as is underlined by the many prizes and nominations in the pipeline for the complete recordings which are currently in progress. However, nothing can replace a "live" experience. At this concert in the Brucknerhaus, the 3rd Symphony will be performed in its original version. A work commenced in 1872 but only completed in 1873, it did not premiere until 1890 but it did so with success. Following rejection three times by the Vienna Philharmonic Orchestra, Bruckner had previously revised the symphony, which quotes and is dedicated to Richard Wagner, several times. In the Third, Bruckner realised a new symphonic concept in which the development of musical motifs is replaced by a block-like sequence of motif variations. The finale combines a dance melody with a wind chorale, to which Bruckner adds: "The polka signifies the humour and gaiety in the world - the chorale embodies the world's inherent pain and sadness."

Anton Bruckner
Symphony No. 3 in D minor WAB 103 (1873)

Markus Poschner | Conductor

Bruckner Orchestra Linz

Details & Tickets

 

 

 

Corpus Christi service of the parish of St. Konrad. The church choir will perform music including works by Anton Bruckner.

Parish of St. Konrad - Froschberg

St. Konrad church choir

Harald Wurmsdobler | Choir master

Maria Lotz | Organ

Johann Sebastian Bach Street 27 4020 Linz

This series of lectures will focus on learning and teaching in the life of Anton Bruckner. Torn between art and science,  profession and vocation, theory and practice, six lectures by internationally renowned theorists and musicologists will shed light on this area of tension in the development and teaching career of Bruckner and present new findings in a representative way at the Bruckner University.

Free admission!
Please register here. Registration deadline 7 days before the event.

Anton Bruckner Private University

Prof. Dr. Hans-Joachim Hinrichsen (Zurich) | Lecturer

Alice-Harnoncourt-Platz 1 4040 Linz

The commemorative year of Anton Bruckner serves as an ideal opportunity to hold this year's Police Music Festival in Upper Austria. All nine of the police bands from the provincial police directorates will take part in this sensational festival. On Wednesday, 05.06.2023, the respective provinces will be guests in the different districts and the sound of music will ring out throughout our provice. The following day, on Thursday, 06.06.2023, the main square in Linz will be the venue for a unique highlight when all of  Austria's police bands march into the main square together to take part in a a joint concert. Admission to this major event is, of course, free.

Provincial Police Headquarters of Upper Austria

Main Square 4020 Linz Details & Tickets

With this year's lunch series "Lunch with Bruckner", the StifterHaus invites you to take a look at Anton Bruckner. The focus will be on the Bruckner Year and the associated events in general as well as Anton Bruckner in literature in particular.

StifterHaus

Adalbert-Stifter-Platz1 4020 Linz

Ankathie Koi | Art develops from skill, say those conservative philistines who can also be found in rock'n'roll every now and again. Nonsense, pop music has argued at the very latest since punk muisc arrived on the scene: What counts are ideas and intuition - and creative ways of implementing them. Ankathie Koi embodies the synthesis of these opposing doctrines.

The musician, who grew up in Upper Bavaria but made Vienna her home a long time ago, is a master of her artistic craft and is as versatile as a chameleon. She also presents her diversity in her new songs - she now sings mainly in German - great cinema is pre-programmed! However, nothing has changed in terms of attitude and sweeping gestures, Ankathie Koi captivates her audience in her usual manner - with a great deal of power and excitement.

Elisa Noa | Elisa Godino and Aaron Hader, alias Elis Noa, describe the act of letting go on their new album "I Was Just About To Leave" in a similarly profound way as on their debut release "What Do You Desire?" launched two years ago. Once again, the two musicians lead listeners on a journey deep into their inner world and invite them to find parallels in their own stories and feelings. Since letting go is not a quick and easy mission, the Viennese electronic soul duo takes the time to explore each step of the process in musical terms and proceeds through the journey of healing with each song, from moments of resistance and pain to acceptance and finally lightness.

Next Bruckner - The concert series curated by Ina Regen
11 concert evenings from January to November 2024 at Posthof Linz

Co-production: Posthof - Zeitkultur am Hafen

Ina Regen | Curation

Posthof - Zeitkultur am Hafen, Ina Regen | Co-production

Posthofstrasse 43 4020 Linz Details & Tickets

Since February, "Being Anton" and "Playing Anton" at the Ars Electronica Centre have offered an unprecedented immersive experience of Bruckner's music and the world of sound that surrounded him at the time. Find out more about these projects on this evening from Key Researcher & Artist Ali Nikrang (Ars Electronica Futurelab), Norbert Trawöger (Artistic Director Anton Bruckner 2024) and Lydia Zachbauer (Director Anton Bruckner 2024).

Ars Electronica Centre

Ars-Electronica-Strasse 1 4040 Linz Details & Tickets

The state theatre has organised a very special programme for the Bruckner Year 2024: The opera "Der Findling" (The foundling) by Franz Hummel and Susan Oswell, based on a text by Hermann Schneider, will be premiered at Bruckner's longstanding place of work in the Old Cathedral. "Der Findling" is not primarily intended to present the biographical stages of Bruckner's life. Rather, this work is a multi-layered musical-theatrical search for clues about Bruckner.

Linz State Theater

Markus Poschner | Conductor / Musical Director

Lukas Hemleb | Production

Margherita Palli | Stage

Sasha Nikolaeva | Costumes

Luca Scarazella | Video

Bruckner Orchestra Linz

Domgasse 3 4020 Linz Details & Tickets

The symphony stands for great orchestral work par excellence - that is certainly the perception of most concert-goers. Although many composers still write symphonies today, it is clear that other forms are being sought for orchestral works. In any case, the "avant-garde" is of the opinion that this form is "backward-looking" and that composers are treading old, well-trodden paths. Does the symphony have a fruitful future or only a great past?

Admission free! No membership necessary!

Richard Wagner Association Linz

Dauphinestrasse 19 4020 Linz

Bruckner embroidery is a participatory art project in the form of collective embroidery. Participants meet in small groups to embroider a fragment of a Bruckner score.

Everyone is welcome to join in the embroidery! No technical knowledge is required. It's not about embroidering "correctly" but about how everyone does it in their own way: experimental, rough, precise, nervous, wild, calm...

The embroidery meetings take place at various locations in Upper Austria: on a market square, in a music school, in an inn, at a lake, in a private apartment, during a music rehearsal.

While the hands are busy, the conversations can free themselves. Just as the motif continues to be embroidered by all those involved, the stories continue to unfold. Meeting by meeting - note by note - stitch by stitch, the entire embroidery grows as the sum of each individual handwriting and personality.

The embroidery meetings are barrier-free!
Registration requested!

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024

Cécile Belmont | Artist

Schillerplatz 2 4020 Linz

Are you curious about Bruckner? Would you like to dive deeper into the world of the composer and the man himself? Would you like to pass on your own enthusiasm and knowledge?

Take advantage of this entertaining course offering all the music and information from and about Bruckner that it will take to expand your Bruckner horizons.

Number of participants:
The crash course will take place with a minimum of 5 participants and is limited to 25 participants.

Promenade 37 4020 Linz Details & Tickets

The Cathedral organist, Wolfgang Kreuzhuber, and the cathedral music assistant, Gerhard Raab, will perform works by Linz cathedral musicians on the Rudigier organ and choir organ following organ liturgy.

Admission free!

Cathedral Music Society Linz

Cathedral organist Wolfgang Kreuzhuber | Choir organ

Gerhard Raab | Rudigier organ

Cathedral Square 1 4020 Linz Details & Tickets

The concert is a joint project of the Institute of Composition, Conducting and Computer Music and the Institute of Keyboard Instruments. The idea is to build a bridge between the music of Anton Bruckner and the new works of the students of composition.

Piano works and songs by Anton Bruckner - new compositions by students of the composition class of Carola Bauckholt in various chamber music formations with the accordion.

Anton Bruckner Private University

Students of the ABPU

Alice-Harnoncourt-Platz 1 4040 Linz Details & Tickets

Tracing Bruckner's steps, three schools in Ansfelden, Linz and Vienna are the venues where young and very young people have the chance to engage with the musical language of the two-hundred-year-old Mr. Bruckner.
They make the music their very own, giving it their own interpretation: Pictures are painted, collages are made and sounds are transformed into words and poetry.

All of the works completed, will be exhibited at ABC Ansfelden,
The vernissage, to which you are invited, will be on 20 June, 2024 at 19:00.

Accessible for those with impaired mobility:
Telephone
e-mail

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024

Nina Fountedakis

Anton Bruckner Secondary School Ansfelden

Michael Reitter regional music school | State School Centre for Hearing and Visual Training

Integrative Learning Workshop Brigittenau

Carl Anton Carlone Street 2 4052 Ansfelden, Linz, Vienna Details & Tickets

This series of lectures will focus on learning and teaching in the life of Anton Bruckner. Torn between art and science,  profession and vocation, theory and practice, six lectures by internationally renowned theorists and musicologists will shed light on this area of tension in the development and teaching career of Bruckner and present new findings in a representative way at the Bruckner University.

Free admission!
Please register here. Registration deadline 7 days before the event.

Anton Bruckner Private University

Prof. Dr. Markus Neuwirth (Linz) | Lecturer

Alice-Harnoncourt-Platz 1 4040 Linz

The LONG NIGHT OF THE STAGE will take place for the 11th time on Saturday, 22 June 2024, in Linz. With an average of 100 events at over 20 different venues and 12,000 visitors, it is one of the largest cultural events in the state. Various venues in Linz will host an extensive programme  dedicated to the composer of the year, Anton Bruckner. You can listen to Bruckner, marvel at him and join in! You will find the complete  programme as of the end of May at
www.langenachtderbuehnen.at

Long Night of the Stage Association

Numerous artists from Upper Austria

4020 Linz Details & Tickets

2024 is the anniversary year of Bruckner and people from Upper Austria, together with musicians from the ABPU, will send an acoustic birthday greeting to Anton Bruckner. People who have a connection to Anton Bruckner through an everyday situation, an activtiy or a specific interest, will be interviewed. Following intensive research and preparation, students of the university course in Music Education will conduct a total of eight interviews and sum up the results in musical collages.

Anton Bruckner Private University

Students of the ABPU

Experts of everyday life

Rathausgasse 5 4020 Linz Details & Tickets

The brass players of the ABPU on historical instruments with the Hard-Choir. In cooperation with the Brass Institute, the Hard Choir and the Schwanthaler Trumpet Consort. The programme mainly comprises choruses by Anton Bruckner, with brass players on original instruments providing the surprisingly homogeneous balance of sound. Due to the unusual instrumentation, these works are performed only very rarely and thus this promises to be an exciting acoustic experience.

Anton Bruckner Private University

Students of the ABPU

Hard-Choir

Domgasse 3 4020 Linz Details & Tickets

A house full of music presents itself in a new guise: the versatile musician, Mira Gregorič, pays a visit to Anton Bruckner's musical kitchen. It sizzles, it bubbles and wonderful sounds and melodies can be heard everywhere. What does it take to conjure up this special musical stew? The elements of sound are collected with the audience and young musicians and dancers from the Upper Austrian regional music schools, and "processed" into a fantastic dish of sound.

Brucknerhaus Linz, Upper Austrian State Music School Association, Upper Austrian String Player Association

Pupils from the Upper-Austrian state music schools

Mira Gregorič | Violin, Moderation & Concept

Ida Leidl, Ilja van den Bosch, Anna Dürrschmid, Malina Meier | Concept

Lower Donaulände 7 4010 Linz

Anton Bruckner does not usually play a prominent role in the everyday life of a music school because his compositions are difficult to teach and perform due to their complexity. However, the City of Linz Music School is embracing the Bruckner Year as an opportunity to enable young musicians and the public to approach the work of the great Upper Austrian composer in an unusual way.

Five well-known composers will be invited to write a commissioned piece of work lasting for a maximum of ten minutes. This should, on the one hand, deal with Bruckner's musical heritage (without necessarily using Bruckner motifs) and, on the other hand, it should be customised for young, aspiring soloists from the ranks of the students of the City of Linz Music School and its symphony orchestra. This should create a narrative, musical thread that - especially for all those who have had little to do with his music so far - brings Anton Bruckner into focus in an appropriate manner whilst also addressing the necessity and significance of the constant, contemporary development of musical language.

A concert evening of the Music School of the City of Linz with five world premieres of commissioned compositions for a solo instrument and the orchestra.

The project takes place thanks to the patronage of Dennis Russell Davies.

 

A concert evening of the Music School of the City of Linz with five world premieres of commissioned compositions for a solo instrument and the orchestra by

Kurt Schwertsik (* 1935)

Concerto for the bassoon and orchestra (2023-24) [world premiere]

Otto Lechner (* 1964)

Concerto for the accordion and orchestra (2023-24) [world premiere]

Johanna Doderer (* 1969)

Concerto for the saxophone and orchestra (2023-24) [world premiere]

Julia Lacherstorfer (* 1985)

Concerto for the violin and orchestra (2023-24) [world premiere]

Tanja Elisa Glinsner (* 1995)

Concerto for the organ and orchestra (2023-24) [world premiere]

 

Simeon Körber | Bassoon

Samuel Lonsing | Accordion

F. Xaver Gumpenberger | Saxophone

Ida Gillesberger | Violin

Riccarda Fuchs | Organ

Symphonic Orchestra of the Music School of the City of Linz

Ingo Ingensand | Conductor

The Bruckner Orchestra Linz congratulates its namesake on his milestone birthday and invites you to a big summer night party on Linz's main square with renowned musical "birthday guests" from classical to pop!
A glittering open-air concert experience at the start of the vacations with free admission!

OÖ Theater und Orchester GmbH

Markus Poschner | Conductor

Bruckner Orchestra Linz

Downtown 4020 Linz

Symphonic music affects us without words as does dance. In the former, art is expressed as a sound and in the latter, art is predominantly visible. Approaching Anton Bruckner's 9th Symphony, for Compositional transfer inbodied "I ANTON " we worked on a method of translation which should help musical structures to shift from a space filled with sound to a space filled with movement. This performance does not just dance to the music or its mood, rather it repeats its forms even in the physical realm, and even attempts to dance with Anton beyond the unfinished end through the movements which develop from this.

Admission: 19:00
Introduction: 19:30
Performance: 20:00

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024 with the kind support of the Federal Ministry of Arts, Culture, the Civil Service and Sport and the City of Linz / Linz Kultur

Silke Grabinger | concept, choreography, dramaturgy, performance

Francesco D'Amelio, Kirin Espana, Tomy Lee Kreninger, Jerca Roznik Novak, Theresa "Ray" Scheinecker | Performance

Gergely Dudás-Simó | Rehearsal management, production management, 2nd cast

Bettina Bakos | Production management

Ludwig Felhofer | Dramaturgy

Bianca Fladerer | Costume design

Sonja Stojanović-Aufreiter | Production team, 2nd cast

Marie Scholze | Production team

TBA | Lighting design

Fabian Rucker, Thomas Wally, Josef Semeleder, Peter Androsch, Remy Ballot | Outside Eye

Cathedral Square 1 4020 Linz
Logo of the Federal Ministry of Arts, Culture, Civil Service and Sport

Anna Buchegger | . ..grew up on a small farm in the Innergebirg region of Salzburg and came into contact with alpine folk music at an early age. Her origins left a formative imprint that intensively shaped her artistic development. Anna brings a breath of fresh air to Austrian folk music - bold and self-determined.

In her music, the singer combines selected traditional elements with contemporary trends and creates a dialogue that links the values of yesterday and the urgencies of today. Her lyrics reflect the harsh reality, packaged in the dialectal speech sound of the Salzburg dialect and embedded in the timeless band sound of the 70s.

The participation in Starmania and the subsequent victory bring her briefly into the spotlight of public life in 2021, but also present her with completely new, unknown challenges. The young Salzburg native decides to continue her artistic journey on her own. A year later, Anna completes her musical studies and at the same time ventures the start of a visionary concept album.

Their mission: to build bridges between familiar tradition and innovation. A conception aimed at the challenge of enveloping Austrian folk music with a contemporary flair while weaving social concerns into the dialectal speech sound of the Salzburg dialect. Their work combines carefully selected traditional elements with contemporary trends to create a dialogue that links the values of yesterday and the urgencies of today.

Anna Mabo | "What Anna Mabo thinks and writes and sings arrives at the listener like a projectile. But such clarity is never at the expense of poetry," writes fellow musician Ernst Molden about Anna Mabo's compositions. As if this statement were part of the program, the singer, poet and director follows up her two albums "Die Oma hat die Susi so geliebt" and "Notre Dame", which were enthusiastically received by the public, with her current, third longplayer "Danke, gut" - the first with a band: It crashes and roars here, the band gives each song what it demands and tells one sound epic after another. At the same time, the songs are quiet, empathetic and uplifting, because "even the Terminator's heart hurts sometimes".

Next Bruckner - The concert series curated by Ina Regen
11 concert evenings from January to November 2024 at Posthof Linz

Co-production: Posthof - Zeitkultur am Hafen

Ina Regen | Curation

Posthof - Zeitkultur am Hafen, Ina Regen | Co-production

Posthofstrasse 43 4020 Linz Details & Tickets

Anton Bruckner visited the Weilenböck and Lang families in Neufelden several times. He traveled there on the Mühlkreisbahn, which opened in 1888, walked along the Große Mühl and also played the church organ in Neufelden. The Neufelden (1919-1924), Aschach and Ottensheim dams had not yet been built at the time.
In the now massively changed landscape between Neufelden and Linz, the coda from Bruckner's Fourth Symphony, also known as The Romantic, was played on July 7, 2024. However, not as usual, but based on a score by the artist Michael Pisaro-Liu: he has arranged the moving and stirring piece of music for the 90 brass players who will make the Danube between Neufelden and Linz resound in Bruckner's tones. On July 7, 2024, the river and dams will become a listening space.

On 7.7.2024, the river and dams will each become a listening room for around 40 minutes.

16:00 Neufelden dam
18:00 Ottensheim dam
20:00 Donaulände/Brucknerhaus

Accessibility:
Wheelmap

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024

HEIM.ART® cultural association

Joachim Eckl | Management & Idea

Michael Pisaro-Liu | Composition

Regional music schools Rohrbach, Schlägl, Neufelden, Lembach, St. Martin, Eferding, Hartkirchen, Ottensheim and Puchenau with the associated branches

Wolfgang Panholzer | Ensemble management dam Neufelden

Thomas Beiganz | Ensemble management dam Aschach

Karl Glaser | Ensemble management Ottensheim dam

Raphael Aichinger | Ensemble Director Donaupark

1) Neufelden im Mühlkreis dam: Langhalsner Str. 7, 4120 Langhalsen; 2) Ottensheim Danube power station: 4100 Ottensheim; 3) Donaupark / Brucknerhaus: 4040 Linz

TONI ON TOUR, a summer tour of the Upper Austrian Children's University with Anton Bruckner. At all locations in Upper Austria, children can immerse themselves in Toni's fascinating world for a day and experience a creative combination of science and music as well as old and new, classical and contemporary musical worlds. TONI, the little explorer, collects musical treasures in Upper Austria and presents a colorful music concert at the graduation in Steyr in August.

Registration: Tuesday, 07.05.2024 from 18:00

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024 in cooperation with the KinderUni

KinderUni Upper Austria (supporting organization: Institute for Applied Environmental Education)

Details & Tickets

Are you curious about Bruckner? Would you like to dive deeper into the world of the composer and the man himself? Would you like to pass on your own enthusiasm and knowledge?

Take advantage of this entertaining course offering all the music and information from and about Bruckner that it will take to expand your Bruckner horizons.

Number of participants:
The crash course will take place with a minimum of 5 participants and is limited to 25 participants.

Promenade 37 4020 Linz Details & Tickets

In this workshop we move together through Anton Bruckner's acoustic walks in Linz with our ears open. We track down sounds that have long since disappeared using various (special) microphones that can make electromagnetic vibrations audible or even record underwater sounds. When our expedition comes to an end, we will summarise our sonic discoveries in short compositions on the computer.

Speaker: Music and sound artist Richard Eigner
Date: 30.07. to 01.08.2024
Time: 09:00 - 12:30
Suitable age: 10-15 years
Optional lunch (+ 1 hour longer incl. supervision)
To bring along: Snack, drink
Deadline for registrations: 17.07.2024

Langgasse 13 4020 Linz Details & Tickets

In ESPACE SONORE at domorgelsommerlinz24, Thierry Mechler opens up a multifaceted sound space with music from Bach to Ravel, from Bruckner to Debussy!

Admission:
Adults: VVK € 12,- | AK € 15,- |
Young people and students (up to 27 years): VVK € 8,- | AK € 10,- |
Children (up to 12 years): free

Cathedral Music Society Linz

Thierry Mechler | Rudigier organ

Cathedral Square 1 4020 Linz Details & Tickets

"MYLF - mothers you'd like to flow with" are Mieze Medusa and Yasmo in slam team form. The two veterans of the Austrian poetry slam scene invite you to an evening full of language, rhythm and a change of generations. They will write, rap and speak to Bruckner and inspire laughter, reflection and participation. MYLF meet two young up-and-coming poets, giving us a unique view from every perspective - including the jubilarian!

Next Bruckner - The concert series curated by Ina Regen
11 concert evenings from January to November 2024 at Posthof Linz

Co-production: Posthof - Zeitkultur am Hafen

Ina Regen | Curation

Posthof - Zeitkultur am Hafen, Ina Regen | Co-production

Posthofstrasse 43 4020 Linz Details & Tickets

Are you curious about Bruckner? Would you like to dive deeper into the world of the composer and the man himself? Would you like to pass on your own enthusiasm and knowledge?

Take advantage of this entertaining course offering all the music and information from and about Bruckner that it will take to expand your Bruckner horizons.

Number of participants:
The crash course will take place with a minimum of 5 participants and is limited to 25 participants.

Promenade 37 4020 Linz Details & Tickets

MEMORIES are the focus of Andreas Etlinger's matinee concert at domorgelsommerlinz24 - with works by Anton Bruckner, Andreas Etlinger and Felix Mendelssohn Bartholdy!

Admission free!

Cathedral Music Society Linz

Andreas Etlinger | Rudigier organ

Cathedral Square 1 4020 Linz Details & Tickets

Bruckner-Mancini-Mandelbrot

At first glance, the music of Anton Bruckner (1824-1896) and Henry Mancini (1924-1994) and the ideas of the French-American mathematician Benoît Mandelbrot (1924-201 0) may seem to have little in common. In the Bruckner anniversary year, however, they make common cause: Bruckner's sound cathedrals are subjected to the "spring string metamorphosis" with Mancini's small song formats and viewed in the light of Mandelbrot's fractal geometry and self-similarity.

Fractals are not only found in geometric shapes, but also in nature (in plant blossoms, coastlines, mountain formations, cloud shapes, river courses, etc.) and in art (the most famous example: The Great Wave off Kanagawa - a color woodcut by Japanese artist Katsushika Hokusai). But they can also be found in music in motifs and interval sequences, in rhythm patterns in the small range and in construction patterns of large musical forms. Number combinations and ratios, in particular the golden ratio, already played a major role in early music. This unusual program will reveal astonishing and surprising similarities.

Spring String Quartet

Christian Wirth | Violin

Marcus Wall | Violin

Julian Gillesberger | Viola

Stephan Punderlitschek | Violoncello

Cathedral organist Wolfgang Kreuzhuber shares a passion for improvisation with his predecessor Anton Bruckner - and you can hear that at domorgelsommerlinz24 in BRUCKNER TODAY!

Admission:
Adults: VVK € 12,- | AK € 15,- |
Young people and students (up to 27 years): VVK € 8,- | AK € 10,- |
Children (up to 12 years): free

Cathedral Music Society Linz

Cathedral organist Wolfgang Kreuzhuber | Rudigier organ

Cathedral Square 1 4020 Linz Details & Tickets

Alma Teibler offers a KALEIDOSCOPE of organ music from Anton Bruckner to Petr Eben in her matinee concert at her domorgelsommerlinz debut.

Admission free!

Cathedral Music Society Linz

Alma Teibler | Rudigier organ

Cathedral Square 1 4020 Linz Details & Tickets

Musical PORTRAITS of Anton Bruckner, Camille Saint-Saëns and Richard Wagner are drawn by Michaela Aigner in her matinee concert at domorgelsommerlinz24.

Admission free!

Cathedral Music Society Linz

Michaela Aigner | Rudigier organ

Cathedral Square 1 4020 Linz Details & Tickets

Lilo Kunkel sets the musical tone when it's BRUCKNER AT NIGHT! It sounds and swings at domorgelsommerlinz24 in the Mariendom - from Anton Bruckner to Cole Porter!

Admission:
Adults: VVK € 12,- | AK € 15,- |
Young people and students (up to 27 years): VVK € 8,- | AK € 10,- |
Children (up to 12 years): free

Dommusikverein Linz & Mariendom Linz

Lilo Kunkel | Rudigier organ

Cathedral Square 1 4020 Linz Details & Tickets

Are you curious about Bruckner? Would you like to dive deeper into the world of the composer and the man himself? Would you like to pass on your own enthusiasm and knowledge?

Take advantage of this entertaining course offering all the music and information from and about Bruckner that it will take to expand your Bruckner horizons.

Number of participants:
The crash course will take place with a minimum of 5 participants and is limited to 25 participants.

Promenade 37 4020 Linz Details & Tickets

Concert for Bruckner's 200th birthday in Ansfelden. Since 2018, the International Bruckner Festival Linz has begun every year on September 4, the birthday of its namesake. The birthday concert to kick off the festival always takes place in Ansfelden, the place where it all began for Anton Bruckner, where he was born in the servants' quarters of the school building and baptized on the same day in the nearby parish church.

In 2024, the well-wishers could hardly be more prominent: The Cleveland Orchestra, known as the "most European" of the US orchestras, and its chief conductor Franz Welser-Möst from Linz will do the honors and pay tribute to the jubilarian with an open-air performance in the open space between the parish church and courtyard.

Accessibility:
Brucknerhaus

Franz Welser-Möst | Conductor

The Cleveland Orchestra | Conductor

Details & Tickets

Bruckner Improvised

The Old Cathedral in Linz with its authentic organ is
the best playground to celebrate Bruckner as a master of improvisation,
to celebrate his birthday with this very genre.
Throughout the day, national and international organist personalities will
will bring the original Bruckner organ to life with their improvisations.

An event of the Brucknerbund for Upper Austria

Domgasse 3 4020 Linz

The striking similarity between a recurring theme from Bruckner's Fifth Symphony and a guitar riff by the White Stripes - in their song, the Seven Nation Army - is the godmother of this ten-piece electric guitar ensemble. In this field of tension between high culture, popular culture and avant-garde, the collective dedicates itself to this very riff. In essence, this is less a case of "stealing the stolen" or an act of appropriation. It can be understood in the sense of a recuperation. Experimental sound surfaces meet pointed repetitions of the Bruckner riff in variations and subtle shifts. The result is a a monstrous sound aesthetic, a hybrid of Anton Bruckner, White Stripes and the loud electric guitar symphonist, Glenn Branca.

Another event tip on site:
Compositional transfer inbodied "I ANTON"

Accessibility:
Limited wheelchair accessibility: assistance required in some cases. The dimensions do not or only partially comply with the statutory ÖNORM.

Symphony No.5 Guitar Ensemble

Kristina Hofer | Guitar

Gabriele Kepplinger | Guitar

Leona Sperrer | Guitar

Dominique Berger | Guitar

Lina Gärtner | Guitar

Johanna Forster | Guitar

Andre Zogholy | Guitar

Samy Zogholy | Guitar

Florian Graf | Guitar

Wolfgang Fuchs | Guitar

Christoph Fizl Hehn | Drums

Wolfgang Fuchs | Bass

Marc Reibel | Conducting

The second quantum revolution as a musical spectacle in Linz's Mariendom:

Lasers, mirrors, polarizers, non-linear crystals - an experimental set-up from the high-tech laboratory in the middle of the Mariendom in Linz. Entangled photons - the quanta of light - become conductors and direct Bruckner's Perger Prelude in a way that no human being in the world could.

Two resounding church organs play live and fill the spectacular sound space of the cathedral. BruQner shows us a new view of our reality - a world premiere!

Accessibility:
Limited wheelchair access, some assistance required.

Clemens Wenger | musical direction

Enar de Dios Rodríguez | Artist, visual design

Martin Ringbauer | exp. Physicist, University of Innsbruck

Johannes Kofler | theor. computer science, JKU

Richard Küng | theor. computer science, JKU

Benjamin Orthner | exp. Physicist, TU Vienna

Philipp Haslinger | exp. Physicist, TU Vienna, Project Management

Wolfgang Kreuzhuber | Organist

Gerhard Raab | Organist

Details & Tickets

In the public space in the fall of 2023, WhatsAB will initially be a live event, naturally transient as such, based on an idea by Rainer Zendron and Bernd Preinfalk. A year later, in the fall of 2024, the sound event will have become an installation for an art space.
Conducted by Sigurd Hennemann, an ensemble of about twenty musicians will play a corresponding arrangement of the Andante in E minor from Three Movements for Orchestra, entered in Anton Bruckner's catalog raisonné as number 97. As befits the digitally networked age, the individual musicians are related to each other, but record their respective parts solo at a different Bruckner location. The camera and microphone focus on the musicians without blocking out any background or ambient noise.
The sum of these parts and the orchestra concert is only added up in the media installation in a continuous loop: twenty screens on just as many music stands show the musicians playing in the public space; conductor Hennemann can be seen at work on a monitor on the wall. The Andante itself can be heard as a professional mix of the individual recordings. The visitors are free to move around the room as they wish in this ambience.

Accessible for those with impaired mobility:
Telephone
e-mail

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024

Rainer Zendron, Bernd Preinfalk | Overall Concept

Sigurd Hennemann | Conducting

Country road 31 4020 Linz

Flash mobs and pop-up concerts

Since 2018, the consistently implemented conceptual and programmatic reorientation of the International Bruckner Festival Linz has been accompanied by a return to its namesake and a clear commitment to this composer, whose work has never been regarded as the museum content of the festival, but always as the subject of a lively debate. The series of events with (pop-up) concerts, sound installations and performances established in 2019, which took place on the 'bridge days' between the birthday concert on 4 September and the official opening week, contributed to this. September and the official opening weekend of the Brucknerfest made a valuable contribution to this by providing low-threshold access to a contemporary artistic approach to Anton Bruckner or the respective festival theme beyond the concert hall, in the middle of the city center, with free admission, which was mostly presented for discussion in public space.

In the anniversary year 2024, the Stegreif Orchester will take the Bruckner Festival and the music of the birthday boy out into the city on September 5 and 6, delivering what its name promises: excerpts from Bruckner's works will be performed as part of flash mobs and pop-up concerts, creatively modified and adapted, enriched with improvisational elements and, of course, always played extemporaneously. On streets and squares, in the station concourse as well as in churches and museums, Bruckner and his music will be omnipresent in Linz for two days, true to the motto "200 years and not a bit quiet".

 

Arrangements of and improvisations on works by

Anton Bruckner (1824-1896)

 

Stegreif - The Improvising Symphony Orchestra

 

Free admission (free counting tickets required)

Endless anniversaries: 200 years of Anton Bruckner, 100 years of St. Mary's Cathedral and 25 years of Raumklang - this will be celebrated in style at domorgelsommerlinz24 with RAUMKLANG#25 featuring harps, horns, clarinets and organs!

Free admission!
(ticket reservation requested)

Cathedral Music Society Linz

Clarinet ensemble of the Anton Bruckner Private University

Virtuoso harpists

Vienna Horn Ensemble

Cathedral organist Wolfgang Kreuzhuber | Rudigier organ and choir organ

Gerhard Raab | Rudigier organ and choir organ

Cathedral Square 1 4020 Linz Details & Tickets

Bruckner as part of the club scene? In April, the STREAM CLUB and state music students studying digital music production proved that this is possible. And the beat goes on: "It all started with the idea of creating new approaches to Anton Bruckner's classical music," Ilona Roth from Transitheart Productions explains. The latter is a label for artistic  productions in the field of contemporary dance and theatre with interfaces to performance art, film and video. Together with the Linz-based collective Holy Hydra, she has devised Bruckner's Beats and presents pieces by Bruckner featuring electronic remixes and new arrangements in a club atmosphere. Sound installations, performances, art happenings and interventions - Anton Bruckner becomes danceable and tangible.

"We have been dancing at the interface of club culture, religion and society for half a decade now. This has grown from a fascination for special places and a passion for techno. Our spherical sounds and hard beats cast a spell on holy architecture. Sacred space meets urban space, bumbum comes face to face with certain standards," this is how the members of the Hydra collective describe themselves.
The many-headed creature from the underworld of Linz, which defends subcultures both by day and by night, was founded in 2016 as the event collective die geile Hydra which has since become a cultural association. Since 2018 Hydra, as  Holy Hydra , has been playing in churches. For example, on 6 and 7 September, 2024 in the parish church in Urfahr.

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024

Transitheart Productions coop Holy Hydra

Schulstraße 4 4040 Linz

In her songs, Violetta Parisini opens up worlds of emotion that we all somehow know but have not yet put into words. With Peter Rom on guitar, whose unique sound casts a spell over you, and Hanibal Scheutz on bass, the groove personified, she weaves a magic carpet that will remain soft and warm in your memory for a long time to come. The indie pop artist Wim made a name for herself in 2022 with the release of her debut album "Boxer". Her songs, with poetic and accurate lyrics and a love of melancholy, are never simple, but always full of lightness.

The two artists got to know each other while writing their duet "Gespenster" at a songwriting camp and have since written a few more songs out of sheer enthusiasm for each other, which will be performed this evening at the Posthof. German indie pop without clichés or compromises.

Next Bruckner - The concert series curated by Ina Regen
11 concert evenings from January to November 2024 at Posthof Linz

Co-production: Posthof - Zeitkultur am Hafen

Ina Regen | Curation

Posthof - Zeitkultur am Hafen, Ina Regen | Co-production

Posthofstrasse 43 4020 Linz Details & Tickets

Linzer Klangwolke 24
presented by SPARKASSE OÖ & LINZ AG

The success story of the Linz Klangwolke began 45 years ago, on September 18, 1979, at 8 p.m. sharp, with Anton Bruckner's Symphony No. 8 in C minor. Back then, people placed their radios in open windows and let Bruckner's music ring through the streets and float over the entire city like the eponymous Klangwolke. Since then, more than three and a half million spectators have been enchanted by the magic of this major event, which has developed over time into an audiovisual, mass media event with international appeal, for which Linz's Donaupark, as well as the river itself and its banks, are transformed once a year into a brilliantly illuminated and sounded scenery with means specially adapted to the open-air conditions.

In 2023, Francesca Zambello created a sensationally successful sound cloud with ODYSSEY. A Journey Through Worlds , Francesca Zambello created a sensationally successful sound cloud that attracted more than 100,000 spectators and listeners. Who will follow in her footsteps in the Bruckner year 202 4 and thus join the long list of renowned artists from a wide variety of genres who have shaped the Linz Klangwolke over the past four and a half decades, including most recently the theater collective La Fura dels Baus and directorial greats such as David Pountney, Pierre Audi and Robert Dornhelm, will not be revealed until early summer. What is already certain, however, is that this highlight in the city's cultural calendar, which is one of Europe's largest and most spectacular outdoor productions in public spaces, will be presented as usual by SPARKASSE OÖ and LINZ AG, with the latter once again inviting all visitors to continue celebrating together at the Nachklangwolke.

 

Ceremonial opening of the International Bruckner Festival Linz 2024

The hymns that open the ceremony as usual are followed by a Bruckner hymn composed by Wilhelm Floderer in 1894 and performed for the first time at the unveiling of the memorial plaque at Bruckner's birthplace in Ansfelden on May 12, 1895 with the Liedertafel "Frohsinn", of which he was choirmaster at the time.

All the early orchestral works written by the composer himself can be heard, which were composed during his apprenticeship with the Linz theater conductor Otto Kitzler, which lasted from autumn 1861 to summer 1863 and ended with the composition of the "Study Symphony" in F minor. Although they still bear traditional traits, they already strike an individual note and show their creator at the crossroads between an existence as a composer of functional music for everyday use and an existence as a symphonist. As is well known, Bruckner decided to take the latter path, even if it turned out to be a much rockier one.

The program also pays tribute to him as a symphonist, albeit with a twinkle in his eye, as the composer declared that this was his "life's work": The commissioned work InstAnt on looks back to the future and, following the motto "Bruckner's complete symphonies (slightly shortened)", roams through his eleven contributions to the genre in eleven minutes, adapting, arranging, spinning on, eavesdropping, rethinking, alienating and quoting. Who would be better suited to take on this challenge with as much fun and humour as Johannes Berauer, who was born in Wels and specializes in overcoming the boundaries between classical avant-garde, jazz and world music? And who would be more knowledgeable interpreters of such a piece than the Bruckner specialists of the orchestra named after him and its chief conductor?

 

Wilhelm Floderer (1843 -1917)

Bruckner Hymne in C major for mixed choir a cappella (1894)

Anton Bruckner (1824 - 1896)

Overture in G minor, WAB 98 (1862-63)

March in D minor, WAB 96 (1862)

Three orchestral pieces in E flat major, E minor and F major, WAB 97, Nos. 1-3 (1862)

Johannes Berauer (* 1979)

InstAnt on for orchestra (2023-24) [world premiere]

 

Choir house Frohsinn:

Linzer Singakademie (Singing Academy of Linz)

Hard Choir Linz

Hard-Chor TNG - The New Generation

Bruckner Orchestra Linz

Markus Poschner | Conductor

Gerhard Raab's matinee concert at domorgelsommerlinz24 is all about Bruckner's 200th birthday - with the finale from Bruckner's 8th Symphony!

Admission free!

Cathedral Music Society Linz

Gerhard Raab | Rudigier organ

Cathedral Square 1 4020 Linz Details & Tickets

A fun hands-on experience for young and old in the Donaupark!
presented by SPARKASSE OÖ & LINZ AG

Organized and developed by the children's cultural center Kuddelmuddel, the Kinderklangwolke combines attractive offers that invite you to become active yourself with a colourful and entertaining stage programme specially rehearsed for this event: an unbeatable combination that has long made the Kinderklangwolke a popular cultural event for the whole family.

Ilvie Little was the title of Kinderklangwolke 23, which delighted, fascinated and captivated over three thousand visitors. The story, based on the children's book series of the same name, offered suspense right to the end in Susanne Stemmer's production, which delicately and yet always pointedly did away with classic role clichés. Twenty children between the ages of 8 and 14 who were enthusiastic about singing and acting let their voices resound through the Danube area and presented songs with a catchy tune quality. Berlin singer-songwriter Suli Puschban and her band, Die Kapelle der guten Hoffnung, contributed rocking melodies that invited the audience to sing, dance and celebrate along in front of the large open-air stage.

In the Bruckner year 202 4, the young audience will once again be able to enjoy a relaxed atmosphere in the Donaupark near the Brucknerhaus Linz and immerse themselves in a varied musical and cultural experience with family members of all generations. Numerous food and drink stations as well as a variety of hands-on activities round off the program of this popular Linz family event.

14:30 Admission, opening of creative stations, joint warm-up, street food
16:00 Program
17:00 End

Free entrance!

#freebruckner

The aim of Stegreif - The Improvising Symphony Orchestra is to show what a contemporary orchestra can (also) look like. The international musicians combine symphonic music with improvisation and influences from other musical genres in radical recompositions and involve the audience in original spatial concepts.

On the occasion of the 200 . On the occasion of the 200th anniversary of Anton Bruckner's birth, the ensemble seeks to engage with this great symphonist of the Romantic period and is working on a genre-spanning recomposition of his Symphony No. 7 in E major. Almost exclusively known today as a composer of symphonies and sacred works in the concert repertoire, Bruckner was particularly famous during his lifetime for his organ improvisations. The Stegreif Orchester will combine symphonic music and improvisation, these two elements typical of Bruckner, and present the 'Seventh' with improvisational freedom and chamber music lightness. The 30 or so musicians will expand the sound of the symphonic orchestra to include saxophone, drumset, electric guitar and, last but not least, the use of their own voices. Bruckner's 'Seventh' in particular, which contains quotes from his Te Deum as well as echoes of Richard Wagner's musical language, invites the audience to explore the areas of tension between symphonic and vocal music.

In the here and now, by heart, without a conductor and therefore freely moving in space, a performance is created that breaks down the boundaries between composition and improvisation as well as those between performers and listeners and allows the compositional legacy of the jubilarian to shine in a completely new light.

 

Anton Bruckner (1824-1896)

Symphony No. 7 in E major, WAB 107 (1881-83) arranged and recomposed by Alistair Duncan (* 1991) [world premiere].

 

Stegreif - The Improvising Symphony Orchestra

Lea Hladka | Choreography

David Fernández | Director

Juri de Marco, Lorenz Blaumer | Artistic direction

Bruckner's symphonies in their original sound
Exaggerate

The Symphony No. 8 in C minor is "one of the most astonishing creations not only of Bruckner, but of the entire symphonic world literature; it has rightly been called 'the crown of 19th century music'." This judgment applies to the "1890 version" premiered in 1892, whereas it was to take until 1973 before the "1887 version" was performed for the first time. Anton Bruckner had begun this version in the summer of 1884 and, after its completion on 10 August 1887, sent it to the conductor Hermann Levi, who was perplexed by the huge score and advised a reworking, which the deeply affected composer finally undertook, as he had to recognize that the dimensions of the symphony exceeded any contemporary imagination. In it, the first movement is followed by the Scherzo, moving the slow movement, in which, uniquely for Bruckner, the harp is used, to the third position, while at the end of the monumental finale the themes of all four movements are bundled together and sound simultaneously in vertical layering.

The 'Eighth' is preceded by Heinrich Ignaz Franz Biber's famous Battalia, a lavishly scored musical battle painting, which in its exaggeration is certainly related to the symphony and thematically also builds a bridge to Bruckner's own program-musical interpretation of its finale, in which he claimed to have set the "Ride of the Cossacks", "military music" and "fanfares" to music.

These two masterpieces, which represent the Mount Everest of their respective genres, will be performed by Ars Antiqua Austria, Gunar Letzbor's ensemble for new baroque music, and the Orchestre des Champs-Élysées under its founder and director Philippe Herreweghe, two absolute top formations in the field of historical performance practice.

Heinrich Ignaz Franz Biber (1644-1704)

Battalia. Suite in D major, C 61 (1673)

Anton Bruckner (1824-1896)

Symphony No. 8 in C minor, WAB 108 (1884-87) "1887 version".

 

Ars Antiqua Austria

Gunar Letzbor | Violin & Direction

Orchestre des Champs-Élysées

Philippe Herreweghe | Conductor

Bruckner's symphonies in the original sound
Experimentation

In January 1869, shortly after his appointment as Professor of Harmony and Counterpoint at the Conservatory of the Gesellschaft der Musikfreunde in Vienna, Anton Bruckner began work on a symphony in D minor, which he counted as "No 2" in the autograph, which is why its outdated designation as the "Zeroth" is not only misleading, but simply wrong. Presumably due to critical reactions - the conductor Felix Otto Dessoff is said to have asked about the beginning: "Yes, where is the theme?" - Bruckner withdrew the symphony, probably in 1873, but only noted the "annulirt" in the score in 1895, which gave it the nickname "Annulierte ". Long since recognized as a fully-fledged Bruckner symphony, the work's decidedly experimental traits in particular are now coming into focus.

Bruckner's " Annulled" is by no means the only symphony to be set aside by its composer. Franz Schubert did the same with his Symphony No. 7 in B minor, the famous "Unfinished", whose composition he broke off in 1822 for an unknown reason at the beginning of the third movement, and Robert Schumann with his Symphony in G minor, named "Zwickauer" after the place of the premiere of its first movement, of which only the first two movements were completed in 1832 and 1833.

Le Concert des Nations, unquestionably one of the best original sound orchestras in the world, whose members come mainly from Romance and Latin American countries, and its founder Jordi Savall, who last performed at the Brucknerhaus Linz more than a quarter of a century ago, take on the three symphonic children 'rejected' by their composer fathers.

Franz Schubert (1797-1828)

Symphony No. 7 ("Unfinished") in B minor, D 759 (1822)

Robert Schumann (1810-1856)

Symphony ("Zwickau") in G minor, WoO 29 (1832-33)

- Pause -

Anton Bruckner (1824-1896)

Symphony ("Annulled") in D minor, WAB 100 (1869)

 

Le Concert des Nations

Jordi Savall | Conductor

Anton Bruckner is not just a local phenomenon in Upper Austria, but a world-renowned and recognized great as a musician. Who was this man, in whose honor an entire year is proclaimed in Linz and Upper Austria 200 years after his birth?

The exhibition embarks on a journey into Bruckner's past, exploring the set pieces that remain or have emerged over time and placing them in new contexts. Between provincial dust and the big city, we encounter an introverted nerd, an unrecognized genius and his search for love. The life and work of the musical genius is illuminated as well as critically questioned from today's perspective. Views, original artifacts and documents, and contemporary visualizations shed new light on a great musician. In six themed rooms, the story of Bruckner is retold and made tangible.

Nordico Stadtmuseum Linz

Simon-Wiesenthal-Platz 1 4020 Linz Details & Tickets

Bruckner's symphonies in their original sound
Continue

Anton Bruckner introduced himself as a symphonist in Vienna with his Symphony No. 2 in C minor, which was largely completed in St. Florian in September 1872. However, its premiere by the Vienna Philharmonic Orchestra on October 26, 1873, conducted by Bruckner himself, was only a respectable success. The press response reflected the ambivalent attitude between fascination and irritation that was to become characteristic of contemporary Bruckner reception. The numerous general pauses, which were used as a structuring element and became the undoing of the work, which in itself is "of great lyrical beauty, delicacy and transparency of structure" , in the form of the unflattering nickname "Pausen-Sinfonie" . After the Vienna Philharmonic left his request unanswered in 1873, Bruckner planned to dedicate the 'Second' to "the master Franz Liszt in the most heartfelt reverence" in 1884, but refrained from doing so after Liszt carelessly left behind the dedication copy of the score he had given him on his departure from Vienna.

The 'Second' is appropriately accompanied by two second works by Liszt: the orchestral version of the popular Hungarian Rhapsody No. 2 in D minor and the Piano Concerto No. 2 in A major, whose eventful composition and arrangement history, spanning more than 30 years, rivals that of any Bruckner symphony.

The interpretation of the three works, whose ordinal number 2 signals a continuation and continuation in the three genres, is in the hands of Martin Haselböck and the Orchester Wiener Akademie, who have recorded all of Liszt's orchestral works in their original sound and have not only done pioneering work in this respect, but have also added star pianist Kit Armstrong as soloist in the piano concerto, who is adept at playing both historical and modern grand pianos.

 

Franz Liszt (1811-1886)

Hungarian Rhapsody No. 2 in D minor, p. 359, No. 2 (1847, 1857-60)

Concerto for Piano and Orchestra No. 2 in A major, p. 125 (1830-39, rev. 1849, 1853, 1857, 1861)

- Pause -

Anton Bruckner (1824-1896)

Symphony No. 2 in C minor, WAB 102 (1871-72, rev. 1873, 1876) "1872 version"

 

Kit Armstrong | Piano

Vienna Academy Orchestra

Martin Haselböck | Conductor

 

Where, if not in Upper Austria, where "sporting" through the diverse natural landscapes has developed into a real mass movement in recent decades, and in the middle of the marathon "stronghold" and provincial capital Linz, where the Linz Danube Marathon attracts up to 20,000 ambitious amateur runners from 80 nations to the spectacular start in the middle of the Voest highway bridge once a year, a new symphony will be created in 2024. One of running, dedicated to Anton Bruckner and his work. The Anton Bruckner running course with start at the Old Cathedral and finish at the Brucknerhaus Linz!

It is not known that Bruckner, in addition to his groundbreaking musical work and his attachment to tradition in the Land ob der Enns, would have paid particular homage to physical training and fitness. On the 200th birthday of Upper Austria's great son, the Anton Bruckner running route is therefore more of an offer to the current generation. At the same time, however, it also invites you to rediscover the work of the famous composer: Based on the number of Bruckner symphonies, the distance is exactly nine kilometers, ground markings with the symbol of the anniversary "Anton Bruckner 2024" mark the course, acoustic signposts make the master's musical work resound.

The 1st Anton Bruckner Lauf on September 15, 2024 will be the opening ceremony. As a fun run for all sports enthusiasts, held according to the rules of the Austrian Athletics Association, finishers can expect a special medal and a full refreshment bar in the start/finish area. The winners will also receive honorary prizes. After the competition, the Anton Bruckner running track will be opened to the public as a unique, freely usable, permanent "symphony of running".

Anton Bruckner Running Course and Anton Bruckner Run: The Symphony of Running
Concept, production: LIVA Sport & Linz Danube Marathon
Opening: 15.09.2024 Linz main square, near the old cathedral

Start: Brucknerhaus Linz, Finish: Old Cathedral 4020 Linz Details & Tickets

presented by SPARKASSE OÖ & LINZ AG

Song recital

Like the New Year's Concert, the program of the first of two recitals at the International Bruckner Festival Linz 202 4 draws attention to the fact that 2024 is by no means just a Bruckner year.

A concert not only for the 200th birthday of Anton Bruckner, who loved lieder but only left behind a dozen or so contributions to the genre, but also for the 120th anniversary of the death of Antonín Dvořák, who was the first Czech composer to write a significant number of lieder, for the 160th anniversary of the birth and 75th anniversary of the death of Richard Strauss, of whose 170 or so piano songs an astonishingly large number have found their way into the standard repertoire, for the 150th birthday of Arnold Schoenberg, for whom lieder composition served as an experimental laboratory on his way to overcoming tonality. The 150th birthday of Arnold Schönberg, for whom song composition served as an experimental laboratory on his way to overcoming tonality, as formal coherence could be constituted through the text, and the 150th birthday and 70th anniversary of the death of Charles Ives, whose more than "150 songs represent perhaps the most significant contribution of American music to musical modernism ever" and whose work as a whole has significantly changed, but above all expanded, the popular conception of music, challenging performers and listeners alike to this day.

The well-wishers, two grand masters of their craft, are star baritone Thomas Hampson and his long-time piano accompanist Wolfram Rieger. The two have performed hundreds of recitals together, but never before have they appeared as a duo at the Brucknerhaus Linz. Now the local audience will finally have the pleasure of hearing these exceptional artists perform what Thomas Hampson recently stated in an interview: "Song is a testimony and diary of human existence".

 

Songs from

Anton Bruckner (1824-1896)

Antonín Dvořák (1841-1904)

Richard Strauss (1864-1949)

Arnold Schönberg (1874-1951)

Charles Ives (1874-1954)

 

Thomas Hampson | Baritone

Wolfram Rieger | Piano

7 artists print lithographs from the stone and create an individual reference to Anton Bruckner.

In contrast to earlier times - in the 18th century in the days of the inventor Senefelder, where there were only male artists and printers - or even in Anton Bruckner's lifetime, printed matter was printed by men. Only later, as the only exception among artists, did Käthe Kollwitz become an artistic role model with a strong statement in her lithographs.
Today, female artists are even in the majority, even in physically difficult, elaborate, old printing techniques, such as lithography according to Senefelder.
This beautiful, special technique has not become obsolete without the digital simplification of the press.

During the symposium, you can look over the artists' shoulders every day from August 15 - 21, 2024.

1st presentation of the symposium results:
31.08.2024 at 16:00 hrs.
in Laakirchen in the papermaking museum (lower level)

2nd presentation Bruckner print:
09/17/2024 at 19:00

Renate Moran

Monika Breitenfellner

Mariam Chikava

Olga Djomina

Inga Hehn

Helene Huemer

Georgina Lovelady Krausz

Country road 31 4020 Linz

Bruckner's symphonies in their original sound
Delimitation

After completing the String Quintet in F major, Anton Bruckner began work on the Symphony No. 6 in A major in August 1879, which he completed on September 3, 1881, one day before his 57th birthday, in St. Florian, where he had traveled at the beginning of August and from where he also went to Linz to visit "the folk festival associated with an exhibition" . Although he was able to hear the symphony on October 6, 1882 at a rehearsal of the Vienna Philharmonic, at which the musicians, as he reported in a letter to his friend Leopold Hofmeyr from Steyr, "applauded him vigorously and took a shower", only the middle movements were premiered in Vienna on February 11, 1883, which is why Bruckner did not revise the work. The fact that the entire symphony was not performed in public until after his death is all the more astonishing given that, despite its variety of forms, it is a true "miracle of control and concentration" .

The three-movement Symphony in D minor, composed between 1886 and 1888 by César Franck, who was only two years older than Bruckner, was a famous organist and was regarded in France as the successor to Ludwig van Beethoven, whose phrase from the String Quartet No. 16 in F major, underlaid with the question "Must it be?" , he made the motivic nucleus of his masterpiece.

With this fascinating program, the renowned original sound ensemble Les Musiciens du Louvre, now in its 43rd year of existence, turns for the first time to one of Bruckner's symphonies, with which its founder and director Marc Minkowski has been intensively involved for some time as a sought-after and celebrated guest conductor of orchestras playing on modern instruments.

 

César Franck (1822-1890)

Symphony in D minor, FWV 48 (1886-88)

- Pause -

Anton Bruckner (1824-1896)

Symphony No. 6 in A major, WAB 106 (1879-81)

 

Les Musiciens du Louvre

Marc Minkowski | Conductor

Bruckner's 'First

His own, highly individual symphonic style was first documented by Bruckner's Symphony No. 1 in C minor, premiered in Linz on May 9, 1868, with which the composer, already over 40 years old, set off into new worlds and confidently entered the musical field that he declared to be the most important for him: that of symphonic music. When he subjected the work to a fundamental revision from 1890 onwards, resulting in its "Viennese version", which the Vienna Philharmonic Orchestra premiered on December 13, 1891 under the direction of Hans Richter, he affectionately and jokingly called it "das kecke Beserl" (the cheeky little fellow)

Although the Vienna Philharmonic was already closely associated with the composer during his lifetime thanks to these and other world premieres and is still one of the most important "Bruckner orchestras" in the world today, they have only recently released their first complete recording of all eleven symphonies under a single conductor: Christian Thielemann, who will also be conducting their concert at the International Bruckner Festival Linz 202 4.

Felix Mendelssohn Bartholdy (1809-1847)

The Hebrides. Concert Overture No. 2 in B minor, op. 26 (1829-30, rev. 1832 & 1835)

Symphony No. 3 ("Scottish") in A minor, op. 56 (1829-42)

- Pause -

Anton Bruckner (1824-1896)

Symphony No. 1 in C minor, WAB 101 (1865-66, rev. 1877, 1889-91) "Viennese version"

 

Vienna Philharmonic Orchestra

Christian Thielemann | Conductor

Bruckner's Mass in D minor

The Old Cathedral in Linz played an important role in Anton Bruckner's life. It was here that he was appointed cathedral organist in 1855, a position he held for 13 years before moving to Vienna in 1868. However, it was also here that on 20 . It was also here that his Mass (No. 1) in D minor was premiered on November 20, 1864, which brought Bruckner great personal success. The reviewer of the Linzer Zeitung Franz Gamon proved to be particularly perceptive when he wrote: "Mr. Bruckner has not only solved the highest tasks of musical art with great mastery, but has also proven his talent for the higher style, the symphony."

In the Bruckner anniversary year 2024, Bruckner's Mass in D minor, the first of his works in which the personal signature of the later symphonist is clearly recognizable, will be heard again at the place of its premiere. But that's not all: some of the participants in this concert also have close links to Bruckner's biography. The Hard Choir, for example, emerged from the Linz Liedertafel "Frohsinn", which Anton Bruckner led as choirmaster from 1860 to 1861 and again in 1868 and with which he premiered the final chorus from Richard Wagner's opera Die Meistersinger von Nürnberg . The male choir of former St. Florian Boys' Choir reminds us that Bruckner's own musical career began as a choirboy at this monastery, whose organist he later became and under whose organ he is buried. With the L'Orfeo Barockorchester under its founder Michi Gaigg, a top ensemble from Upper Austria and an important Upper Austrian conductor are also at work to pay tribute to their great compatriot on his 200th birthday.

 

Anton Bruckner (1824-1896)

Psalm 112 in B flat major for two four-part mixed choirs and orchestra, WAB 35 (1863)

Ave Maria. Offertorium in F major for seven-part mixed choir a cappella, WAB 6 (1861)

"Ecce sacerdos magnus". Responsorium in A minor for four-part mixed choir, three trombones and organ, WAB 13 (1885)

Mass (No. 1) in D minor for soloists, four-part mixed choir, orchestra and organ, WAB 26 (1864, rev. 1876, 1881-82)*.

as well as works by

Johann Baptist Schiedermayr (1779-1840)

Karl Borromäus Waldeck (1841-1905)

 

Hard Choir Linz

Alexander Koller | Management

* Men's choir of the

St. Florian Boys Choir

L'Orfeo Baroque Orchestra

Bernhard Prammer | Organ

Michi Gaigg | Conductor

Bruckner's symphonies in their original sound
Begin

The juxtaposition of the first works of two 'late symphonists' - Anton Bruckner and Johannes Brahms were already 43 years old at the premiere of their 'First' - makes it clear that the symphonies of these supposed antipodes have a common root: Ludwig van Beethoven, whose Coriolan Overture in C minor is not coincidentally followed by the symphonies in the concerto, each in the same key, attacca.

Although Brahms still complained in the early 1870s that he would probably "never compose a symphony" as he "always heard such a giant (Beethoven) marching behind him" , he repeatedly occupied himself with a "1st Symphony Movement" sketched in 1862 , on the basis of which he finally completed his Symphony No. 1 in C minor in 1876, a full 14 years later. The influence of the "giant" on the work was so striking that the conductor Hans von Bülow's bon mot soon made the rounds that it was Beethoven's "tenth symphony".

Looking back, Bruckner called his Symphony No. 1 in C minor, completed in 1866 and premiered in Linz in 1868, "Das kecke Beserl" . And indeed, what an impetuous work, what a revolutionary work! In 1865, Bruckner had learned his craft, internalized the compositional tradition and made the acquaintance of Richard Wagner's music. Equipped with these tools, he set off into new worlds with his first numbered symphony and confidently entered the musical field that he declared to be the most important for him: that of symphonic music.

Under the direction of Christoph Spering, Das Neue Orchester presents two symphonic experiments that should prove to be milestones in the development of the genre and thus worthy of the great role model of their creators.

 

Ludwig van Beethoven (1770-1827)

Overture in C minor to Heinrich Joseph von Collin's tragedy Coriolan, op. 62 (1807)

Johannes Brahms (1833-1897)

Symphony No. 1 in C minor, op. 68 (1862-76, rev. 1877)

- Pause -

Ludwig van Beethoven

Overture in C minor to Heinrich Joseph von Collin's tragedy Coriolan, op. 62 (1807)

Anton Bruckner (1824-1896)

Symphony No. 1 in C minor, WAB 101 (1865-66) "Linz Version

 

The New Orchestra

Christoph Spering | Conductor

Two choir concerts in the Old Cathedral

Anton Bruckner expressly saw himself "as a symphonist" and strove for recognition as such, but until the mid-1880s, when the success of Symphony No. 7 in E major finally led to increased interest in his symphonic works, he was primarily perceived by the public as a famous organ improviser and composer of successful sacred music. This includes not only his great masses or the Te Deum, but also a large number of individual liturgical works written over a period of around 50 years for a wide variety of occasions and instrumentations.

The Tenebrae Choir, which was founded in 2001 by Nigel Short and is still directed by him today and has long been one of the world's leading vocal ensembles, is taking on this repertoire with two pure yet extraordinarily varied Bruckner programs, presenting the entire sacred a cappella and organ (or piano) and/or trombone-accompanied choral works of the composer on two consecutive evenings in the Old Cathedral, to which a few songs for voice and organ are added. In addition to popular motets such as Ave Maria, "Christus factus est" and "Locus iste ", there are also some unknown pieces that are worth getting to know, and one or two rarities to discover, such as the two pieces by Franz Joseph Aumann - who was Regens Chori at St. Florian's Abbey from 1755 until his death in 1797. Florian Abbey from 1755 until his death in 1797 - "Ecce quomodo moritur justus" and "Tenebrae", to each of which Bruckner added a three-part trombone movement in 1878.

 

Anton Bruckner (1824-1896)

"Pange lingua". Hymn in C major for four-part mixed choir a cappella, WAB 31, No. 1 (1835-37)

"Tantum ergo". Hymn in B flat major for four-part mixed choir and organ, WAB 41, No. 1 (1846)

"Ave Maria. Offertorium in F major for seven-part mixed choir a cappella, WAB 6 (1861)

"Ave Regina coelorum". Marian antiphon for unison voices and organ, WAB 8 (around 1886)

"Asperges" in F major for four-part mixed choir a cappella, WAB 4 (1843-44)

Mass in F major without Kyrie and Gloria (for Maundy Thursday = "Christus factus est" [I]) for four-part mixed choir a cappella, WAB 9 (1844)

Herz Jesu-Lied in B flat major for soprano, tenor and bass solo, four-part mixed choir and organ, WAB 144 (c. 1845/46?)

Totenlied (I) in E flat major for four-part mixed choir a cappella, WAB 47, No. 1 (1852)

Am Grabe in F minor for four-part male choir a cappella, WAB 2 (1861)

"Ecce quomodo moritur justus". Responsorium in G minor for four-part mixed choir a cappella by Franz Joseph Aumann (1728-1797) with trombone part by Anton Bruckner, WAB add 265 (1878)

"Os justi". Gradual in Lydian for four to eight-part mixed choir a cappella, WAB 30, No. 2 (1879)

"Inveni David" (II) Lydian for unison voices and organ, WAB 20 (1879)

22nd Psalm in E flat major for soloists, four-part mixed choir and piano, WAB 34 (c. 1852)

- Pause -

Anton Bruckner

"Tantum ergo". Hymn in D major for four-part mixed choir a cappella, WAB 32 (1843)

"To you, Lord, to you I will surrender". Chorale in A major for four-part mixed choir a cappella, WAB 12 (around 1844/45)

"Tantum ergo". Hymn in D major for five-part mixed choir and organ, WAB 42, No. 1 (1846)

"Ave Maria" in F major for alto voice and organ, WAB 7 (1882)

"Tantum ergo". Hymn in A flat major for four-part mixed choir and organ, WAB 41, No. 2 (1846)

"O you dear child of Jesus". Song in F major for voice and organ, WAB 145 (1845/46)

Mass without Gloria [and Credo] ("Kronstorf Mass") in D minor for four-part mixed choir a cappella, WAB 146 (1844)

Renunciation. Cantata in B flat major for soprano or tenor solo, four-part mixed choir and organ (or piano), WAB 14 (around 1851)

"Tantum ergo". Hymn in A major for four-part mixed choir and organ, WAB 43 (1844 or 1845)

Obituary in C minor for four-part male choir and organ, WAB 81a (1877)

"In that last of the nights". Choral in F minor for voice and organ, WAB 17, No. 1 (1848)

"In that last of the nights". Choral in F minor for four-part mixed choir a cappella, WAB 17, No. 2 (1848)

"Tantum ergo". Hymn in B flat major for four-part mixed choir a cappella, WAB 41, No. 1 (1846, rev. 1888)

"Libera me". Responsorium in F minor for five-part mixed choir, three trombones and basso continuo (violoncello and organ), WAB 22 (1854)

 

Tenebrae Choir

James Sherlock | Organ

Nigel Short | Management

Two choir concerts in the Old Cathedral

Anton Bruckner expressly saw himself "as a symphonist" and strove for recognition as such, but until the mid-1880s, when the success of Symphony No. 7 in E major finally led to increased interest in his symphonic works, he was primarily perceived by the public as a famous organ improviser and composer of successful sacred music. This includes not only his great masses or the Te Deum, but also a large number of individual liturgical works written over a period of around 50 years for a wide variety of occasions and instrumentations.

The Tenebrae Choir, which was founded in 2001 by Nigel Short and is still directed by him today and has long been one of the world's leading vocal ensembles, is taking on this repertoire with two pure yet extraordinarily varied Bruckner programs, presenting the entire sacred a cappella and organ (or piano) and/or trombone-accompanied choral works of the composer on two consecutive evenings in the Old Cathedral, to which a few songs for voice and organ are added. In addition to popular motets such as Ave Maria, "Christus factus est" and "Locus iste ", there are also some unknown pieces that are worth getting to know, and one or two rarities to discover, such as the two pieces by Franz Joseph Aumann - who was Regens Chori at St. Florian's Abbey from 1755 until his death in 1797. Florian Abbey from 1755 until his death in 1797 - "Ecce quomodo moritur justus" and "Tenebrae", to each of which Bruckner added a three-part trombone movement in 1878.

 

Anton Bruckner (1824-1896)

"Pange lingua". Hymn in C major for four-part mixed choir a cappella, WAB 31, No. 2 (1891)

In Sanctum Angelum custodem. Hymn in G minor for four-part male choir a cappella, WAB 18, No. 2 (1886)

"Tantum ergo". Hymn in A flat major for four-part mixed choir a cappella, WAB 41, No. 2 (1846, rev. 1888)

"Virga Jesse floruit". Graduale in E minor for four-part mixed choir a cappella, WAB 52 (1885)

"Salvum fac populum tuum" in F major for four-part mixed choir a cappella, WAB 40 (1884)

"Veni creator spiritus". Hymn in F major for voice(s) and organ, WAB 50 (around 1884)

"Tantum ergo". Hymn in E flat major for four-part mixed choir a cappella, WAB 41, No. 3 (1846, rev. 1888)

"Ave Maria" in F major for soprano and alto solo, four-part mixed choir, violoncello and organ, WAB 5 (1856)

Two "Asperges" in Aeolian and F major for four-part mixed choir and organ, WAB 3, nos. 1 & 2 (1843-45)

Wedding chorus in F major for solo quartet, four-part male choir and organ, WAB 49 (1865)

Vor Arneths Grab in F minor for four-part male choir and three trombones, WAB 53 (1854)

"Afferentur regi virgines post eam". Offertorium in F major for four-part mixed choir and three trombones, WAB 1 (1861)

"Tantum ergo". Hymn in E flat major for four-part mixed choir and organ, WAB 41, No. 3 (1846)

"Tenebrae". Responsory in G minor for four-part mixed choir a cappella by Franz Joseph Aumann (1728-1797) with trombone part by Anton Bruckner, WAB add 268 (1878)

Totenlied (II) in F major for four-part mixed choir a cappella, WAB 47, No. 2 (1852)

114th Psalm in G major for five-part mixed choir and three trombones, WAB 36 (1852)

- Pause -

Anton Bruckner

"Pange lingua" et "Tantum ergo". Hymn Phrygian for four-part mixed choir a cappella, WAB 33 (1868)

"Tantum ergo". Hymn in C major for four-part mixed choir and organ, WAB 41, No. 4 (1846)

"Vexilla regis". Phrygian hymn for four-part mixed choir a cappella, WAB 51 (1892)

"Tota pulchra es, Maria". Antiphon Phrygian for tenor solo, four-part mixed choir and organ, WAB 46 (1878)

"Libera me". Responsory in F major for four-part mixed choir and organ, WAB 21 (1843-45)

"Christus factus est" (III). Gradual in D minor for four-part mixed choir a cappella, WAB 11 (1884)

In Sanctum Angelum custodem. Hymn in Phrygian for four-part mixed choir a cappella, WAB 18, No. 1a (1868)

In Sanctum Angelum custodem. Hymn in E minor for four-part mixed choir and organ, WAB 18, No. 1b (1868)

"Locus iste". Gradual in C major for four-part mixed choir a cappella, WAB 23 (1869)

"Inveni David" (I). Offertorium in F minor for four-part male choir and four trombones, WAB 19 (1868)

"You are like a flower" in F major for mixed vocal quartet a cappella, WAB 64 (1861)

"Ecce sacerdos magnus". Responsorium in A minor for four-part mixed choir, three trombones and organ, WAB 13 (1885)

 

Tenebrae Choir

James Sherlock | Organ

Nigel Short | Management

Tasting rehearsal excerpts from Rott's Symphony No. 1

Hans Rott, born in 1858, studied organ with Anton Bruckner at the Conservatory of the Gesellschaft der Musikfreunde in Vienna from 1874 and, together with Gustav Mahler, composition with Franz Krenn. At the final composition examination in 1878, he presented the first movement of his Symphony (No. 1) in E major, completed in 1880, and was the only student of the year not to receive a prize, whereupon Bruckner is said to have shouted to the amused examination board: "Don't laugh, gentlemen, you'll hear great things from this man!" Bruckner already emphasized Rott's talent in a letter to Ignaz Traumihler on 14 June 1877: "He [...] is a brilliant musician [...] and [...] has been my best pupil so far." Heinrich Krzyzanowski, a close friend of Rott, later wrote about the intimate relationship between teacher and pupil: "None of the younger ones was as close to him [Bruckner] as R[ott]. Both were deeply religious, not to say Catholic. Both belonged to the organ & the organ to them."

Plagued by financial worries and after his symphony was rejected by the jury for the Beethoven Scholarship of the Gesellschaft der Musikfreunde in Vienna, of which Johannes Brahms was also a member, Rott's mental illness, which had already begun to show, broke out at the end of October 1880 on the train journey to Mulhouse in Alsace, where he was planning to take up a position as choirmaster. Rott tried to stop a passenger from lighting a cigar at gunpoint, fearing that Brahms had had the carriage filled with dynamite. In 1884, after several suicide attempts, Rott died of tuberculosis in a psychiatric institution at the age of just 25.

 

Excerpts from:

Hans Rott (1858-1884)

Symphony (No. 1) in E major (1878-80)

 

Bruckner Orchestra Linz

Markus Poschner | Conductor

Bruckner's symphonies in their original sound
Acquire

Today, Anton Bruckner's symphonies are undisputedly among the summit works of the 19th century. Admittedly, we have become accustomed to hearing them performed on modern instruments whose sound does not correspond to the intentions of their creator. Bruckner wrote for string instruments with gut strings, which are both softer sounding and more blendable, and from 1868 explicitly for Viennese woodwind and brass instruments, whose colors were different from those we know from today's instruments. The result is a completely different overall sound, which allows Bruckner's music to appear in a new light. For the first time in the world, all eleven of Bruckner's symphonies will be performed in their original sound as part of the International Bruckner Festival Linz 2024, a journey of discovery in eleven concerts that can only be heard as a cycle at the Brucknerhaus Linz and there exclusively in Austria. The symphonies are always performed in their first version and thus in the form that Bruckner originally intended to give to each work, still unimpressed by the reactions of his fellow musicians. They are combined with compositions that owe their genesis to a similar impulse or were of exemplary importance to Bruckner, and they are performed by eleven of Europe's most renowned original sound orchestras under the direction of renowned conductors. A unique listening experience that only the Bruckner city of Linz has to offer in the Bruckner Year 2024.

 

Richard Wagner (1813-1883)

A Faust Overture in D minor, WWV 59 (1839-40, rev. 1843-44 & 1855)

Five poems for female voice and orchestra ("Wesendonck-Lieder"), WWV 91 (1857-58, 1893)

[Orchestration by Felix Mottl (1856-1911)]

- Pause -

Anton Bruckner (1824-1896)

Symphony No. 3 in D minor, WAB 103 (1872-73) "1873 version".

 

Christiane Karg | mezzo-soprano

Anima Eterna Brugge

Pablo Heras-Casado | Conductor

A train full of dynamite

The Piano Concerto No. 2 in B flat major by Johannes Brahms resembles a "symphony with obbligato piano", as the critic Eduard Hanslick noted, with a playing time of around 50 minutes and its four instead of the usual three movements, whereby the innovative fusion of symphonic and concerto form does not stand in the way of a highly virtuoso solo part. When the work, with the composer as soloist, received its acclaimed premiere on November 9, 1881, Hans Rott, who had been mistrusted by Brahms, was already nearing his end, as Joseph Seemüller, who visited him in the psychiatric ward on the same day, reported to a mutual friend: "Hans [...] is still preoccupied with thoughts and plans that are all based on an erroneous connection between his circumstances and his fate. His physical appearance is poor."

His ingenious Symphony (No. 1) in E major conveys an indelible impression of what might have been if Rott's exceptional talent had been fully developed, and makes it possible to understand why Gustav Mahler recognized in his fellow student the "founder of the new symphony" and thus his direct role model. Like Brahms' Second Piano Concerto, begun in May 1878, the symphony is an astonishing masterpiece in which melodic and harmonic inventiveness, brilliant yet nuanced instrumentation, an individual tonal language and a complex network of motivic and thematic references create an astonishingly cohesive musical unity.

The star pianist Marc-André Hamelin and the Bruckner Orchestra Linz under the direction of its chief conductor Markus Poschner create a sonorous panorama of a conflict-ridden period full of compositional and aesthetic trench warfare, in the course of which Bruckner found himself exposed to fierce hostility and proclaimed the antipode of Brahms, while his favorite pupil Rott was caught between the fronts of musical conflict and ultimately in the mills of the so-called music controversy

 

Johannes Brahms (1833-1897)

Concerto for Piano and Orchestra No. 2 in B flat major, op. 83 (1878, 1881)

- Pause -

Hans Rott (1858-1884)

Symphony (No. 1) in E major (1878-80)

 

Marc-André Hamelin | Piano

Bruckner Orchestra Linz

Markus Poschner | Conductor

An inclusive organ tour for everyone aged 0-99 with and without disabilities

The organ is the "queen of instruments". It allows us to experience music not just with our ears, but with our whole body: we feel the vibrations of the sound, touch the cold pipes and smell the wood. The versatile organist Martin Riccabona knows the organ at the Brucknerhaus Linz like no other. He accompanied the construction of the new instrument in 2018 and shares many interesting details about it. Perceive music with all your senses - that's what this interactive and inclusive tour full of hands-on elements offers. It is accompanied by an experienced music education team. And at the end, everyone can even play the organ themselves.

Duration: approx. 90 minutes

 

Martin Riccabona | Organ & Concept

Anna Dürrschmid, Petra Linecker, Malina Meier | Concept

 

Registration: possible from May 2024

The meeting point for the tour is the Service Center.

155 years after its premiere, Bruckner's Mass in E minor will be performed in the Mariendom during a festive service.

Admission free

Diocese of Linz - Cathedral Music

Cathedral Choir Linz

Wind ensemble and choir of the Musikgymnasium Linz

Wolfgang Kreuzhuber | Cathedral organist

Andreas Peterl | Cathedral conductor

Cathedral Square 1 4020 Linz

Bruckner's symphonies in their original sound
Study

Anton Bruckner turned to symphonic music late in life. He composed the Symphony in F minor, his first work, in 1863 at the age of 38 at the end of his two-year apprenticeship in Linz with Otto Kitzler, which earned it the nickname "Study Symphony" . Bruckner himself clearly regarded the work, which, despite all the influences of musical tradition that naturally found expression here, already had an individual style and an unconventional tone, as his "journeyman's piece" and initially made active efforts to have it performed.

Felix Mendelssohn Bartholdy's Sinfonia VIII in D major, which was clearly influenced by Wolfgang Amadé Mozart, was also composed in 1822 as part of his composition lessons with Carl Friedrich Zelter for practice purposes. As the only one of the twelve "string symphonies" , the 13-year-old added wind parts to it by 1823, transforming it into his first 'fully-fledged' symphony. In contrast, Ludwig van Beethoven began writing a piano concerto in 1786 at the age of 15 in order to introduce himself to the public as a pianist and composer. He spent 15 years revising the work, which was based on the models of Viennese Classicism. It was not published in print until 1801 as Piano Concerto No. 2 in B flat major, although it is actually the first.

The three "study works", with which their composers developed the respective genre, will be performed by the Concentus Musicus Wien, conducted by Stefan Gottfried and with keyboard virtuoso Kristian Bezuidenhout, a veritable original sound star, who performed works by Bruckner for the first time in its history at the International Brucknerfest Linz 2018 and has since been a regular guest at the Brucknerhaus Linz again after a break of well over a decade.

 

Felix Mendelssohn Bartholdy (1809-1847)

Sinfonia VIII ("String Symphony", in the version with winds) in D major, MWV N 8 (1822-23)

Ludwig van Beethoven (1770-1827)

Concerto for Piano and Orchestra No. 2 in B flat major, op. 19 (1786-92, rev. 1793, 1794-95, 1798, 1801)

- Pause -

Anton Bruckner (1824-1896)

Symphony ("Study Symphony") in F minor, WAB 99 (1863)

 

Kristian Bezuidenhout | Piano

Concentus Musicus Vienna

Stefan Gottfried | Conductor

A musical suitcase theater about "Nani" Bruckner and her brother Anton for everyone aged 6 and over

Who is this young woman who bears a certain physical resemblance to the famous composer Anton Bruckner? Nanu, Nani! It is Maria Anna Bruckner, called "Nani" - Anton Bruckner's favorite sister and, not to forget, his domestic help in Linz and Vienna. In this interactive music theater, Anton Bruckner's life and work are told from a completely new perspective, namely that of his 'little' sister. The focus is on "Nani" herself, a person practically unknown today, who was an important and often probably even the only person Anton Bruckner cared for.

 

Nanu, Nani!

A musical suitcase theater about "Nani" Bruckner and her brother Anton (2024) [world premiere]

 

Sabine Rechberger | Maria Anna ("Nani") Bruckner

Tomáš Novák | Violin

Jakob Steinkellner | Accordion

Isabella Reder | Stage design & costumes

Anna Dürrschmid, Malina Meier | Concept

Bruckner's organ

The organist Bernhard Prammer will show us how the organ, on which Anton Bruckner worked for thirteen years during his time as organist of Linz Cathedral, sounds.

Meeting point is at 16:00 at the Old Cathedral, Linz

Your parents can simply take you to the Old Cathedral in Linz at 16:00 and pick you up again at 17:30, because of course only children have access to Anton's Kidsclub!

 

Bruckner, his pupil Cyrill Hynais and their works for string quartet

Anton Bruckner's work for string quartet dates entirely from his time as a student of Otto Kitzler. It consists of the Six Scherzos, sketched in spring 1862 for practice purposes, as well as the Theme with Variations in E flat major, sketched soon afterwards, and culminates in the four-movement String Quartet in C minor, to which a "Rondo in larger form" was added as an alternative final movement shortly after completion in summer 1862. All of the pieces are preserved in the so-called Kitzler study book , which Bruckner compiled during his lessons with the Linz theater conductor between 1861 and 1863.

While these student works by Bruckner can hardly stand comparison with his symphonies, his teaching methods, which were aimed at profound compositional craftsmanship, bore astonishing fruit in the form of excellent chamber music works by his pupils. An outstanding example of this is the String Quartet in E major by Cyrill Hynais, 'rediscovered' a few years ago in the Austrian National Library and now edited and published for the first time, who attended Bruckner's counterpoint classes at the Conservatory of the Gesellschaft der Musikfreunde in Vienna from 1883 to 1885 and later became his close collaborator. The masterful work, completed in 1895, has recognizable characteristics of Bruckner's harmony and melody as well as echoes of Richard Wagner's musical language, but nowhere does it slide into the epigonal and in no way lacks an independent personal style.

The renowned, internationally acclaimed Quatuor Danel will present all of the great symphonist's contributions to the genre as well as the only string quartet by his pupil.

 

Anton Bruckner (1824-1896)

Six Scherzi for string quartet, WAB 209, Nos. 1-6 (1862)

Theme with Variations in E flat major for string quartet, WAB 210 (1862)

String Quartet in C minor, WAB 111 (1862)

Rondo in C minor for string quartet, WAB 208 (1862)

- Pause -

Cyril Hynais (1862-1913)

String Quartet in E major (1895)

 

Quatuor Danel

Marc Danel | Violin

Gilles Millet | Violin

Vlad Bogdanas | Viola

Yovan Markovitch | Violoncello

Song recital

The second song recital at the International Brucknerfest Linz 2024 is also dedicated to the jubilees of the year, but, apart from Anton Bruckner and Richard Strauss, it will focus on other composers from the Polish, Czech, German and French-speaking world, with a whole series of discoveries and surprises in store.

The program commemorates the 175th anniversary of the death of Frédéric Chopin, whose wonderful songs lead an undeserved shadowy existence next to his incomparably more famous piano works, celebrates the 200th birthdays of Bedřich Smetana, whose 140th anniversary of death is also being commemorated. It also celebrates the 150th anniversary of the death of Peter Cornelius, whose piano songs, often based on his own texts, impress with their successful synthesis of refinement and simplicity, and commemorates the 100th anniversary of the death of Gabriel Fauré. It commemorates the 100th anniversary of the death of Gabriel Fauré, whose song oeuvre is one of the most important written in this genre in France, and congratulates Reynaldo Hahn on his 150th birthday, whose song compositions, which have remained largely unknown in this country, bring the atmosphere of the Belle Époque to life in the most magical way.

The colorful bouquet of songs in honor of the seven composers is tied and presented by star soprano Julia Lezhneva, who is making her long overdue Brucknerhaus debut with this concert, and Helmut Deutsch, who has been one of the most sought-after and successful Lied pianists in the world for decades and yet has retained his curiosity as well as his interest in forgotten repertoire.

 

Songs from

Frédéric Chopin (1810-1849)

Bedřich Smetana (1824-1884)

Anton Bruckner (1824-1896)

Peter Cornelius (1824-1874)

Gabriel Fauré (1845-1924)

Richard Strauss (1864-1949)

Reynaldo Hahn (1874-1947)

 

Julia Lezhneva | Soprano

Helmut Deutsch | Piano

Bruckner's Mass in E minor

The program of this church concert brings together all of Anton Bruckner's works that have a direct connection to St. Mary's Cathedral and thus also makes clear how closely the composer's name is linked to the history of the New Cathedral's construction.

It begins with the festive cantata in D major commissioned by Bishop Rudigier of Linz to mark the laying of the foundation stone of the Cathedral of the Immaculate Conception on May 1, 1862, and concludes with the Mass (No. 2) in E minor, which was commissioned by Rudigier for the inauguration of the Votive Chapel and composed in 1866, but only premiered on September 29, 1869 due to delays in the construction work. The performance of the mass in the concert is complemented by the 'interludes' originally intended for it, which were not sung at the time but can finally be heard in the context in which they belong: These are, after the Gloria, the popular "Locus iste" and, after the Credo, a "Pange lingua". In between, we hear the "Afferentur regi virgines post eam" dedicated to Johann Baptist Burgstaller, the choir director of the cathedral, the "Tota pulchra es, Maria" dedicated to Rudigier in 1878 for the 25th anniversary of his office and the "Virga Jesse floruit" composed in 1885 to celebrate the 100th anniversary of the diocese of Linz. Gerhard Raab, the second organist at St. Mary's Cathedral, also contributes two improvisations on Bruckner's themes on the Rudigier organ.

Conducted by Daniel Reuss, the renowned Ensemble Vocal de Lausanne celebrates its Brucknerhaus debut this evening and joins the long list of world-famous choirs that have performed in a concert organized by the Brucknerhaus Linz for the first time since the International Brucknerfest Linz 2018.

 

Anton Bruckner (1824-1896)

"Praise the Lord, praise his holy name". Festive cantata in D major for the laying of the foundation stone of the Mariä-Empfängnis-Dome in Linz for bass solo, male quartet, four-part male choir, winds and timpani, WAB 16 (1862)

Organ improvisation

"Afferentur regi virgines post eam". Offertorium in F major for four-part mixed choir and 3 trombones, WAB 1 (1861)

"Tota pulchra es, Maria". Antiphon Phrygian for tenor solo, four-part mixed choir and organ, WAB 46 (1878)

"Virga Jesse floruit". Graduale in E minor for four-part mixed choir a cappella, WAB 52 (1885)

Organ improvisation

Mass (No. 2) in E minor for eight-part mixed choir and winds, WAB 27 (1866, rev. 1876, 1882, 1885)

"Locus iste". Gradual in C major for four-part mixed choir a cappella, WAB 23 (1869)

"Pange lingua". Hymn Phrygian for four-part mixed choir a cappella, WAB 33 (1868)

 

Ensemble Vocal de Lausanne

* Lords of the Frohsinn choir house

Ensemble Instrumental de Lausanne

* Wind ensemble of the Anton Bruckner Private University

Gerhard Raab | Organ

Daniel Reuss | Conductor

As the composer of numerous choral pieces, Anton Bruckner is an indispensable part of any choir's repertoire. With its exhibition Komm, sing mit!, the Lentos Kunstmuseum Linz dedicates itself to the aspect of singing together from the perspective of contemporary art. The show brings together national and international artists for whom singing in all its diversity forms an elementary point of reference within their artistic practice.

Exhibition duration: 04.10.24 - 05.01.25

Lentos Art Museum

Ernst-Koref-Promenade 1 4020 Linz Details & Tickets

Scientific symposium in cooperation with the Anton Bruckner Institute Linz

On the occasion of the 200th anniversary of his birth, the academic symposium, which will of course once again be held in the anniversary year 2024 in the proven cooperation with the Anton Bruckner Institute, will focus on Anton Bruckner the man, who, on the one hand quite intentionally, and on the other hand not least due to the image of him that has been painted posthumously, seems to be literally hidden behind the artist's personality.

The presentations will focus on Bruckner's social existence, his private everyday life, his personal preferences, interests, habits and needs. In this context, questions such as how Bruckner actually lived apart from his artistic environment, what problems and banalities of daily life he was confronted with as a man of his time, what socio-cultural developments or changes in his era he took part in and what joys and sorrows moved him. In order to illuminate these multi-layered social and socio-historical aspects as comprehensively as possible, the internationally renowned speakers will approach the topic in an interdisciplinary discussion.

The aim of the two-day conference is to make the man Bruckner visible and tangible behind all those "stereotypes that have played and still play a dominant role in every study of Bruckner: good-natured and ingenious, wonderful and lost in the world, awkward and touching, the object not of enthusiasm but of amusement, in other words, in the famous words [...] from Hans von Bülow: 'half-genius + half-idiot'".

 

Friday from 10:30 am

Saturday from 9:00 am

 

Free admission

Bruckner's symphonies in their original sound
Transfigure

Although the Symphony No. 4 in E flat major, to which Anton Bruckner himself gave the title "Romantic", thus formally inviting an illustrative understanding of the music, is one of his most frequently performed works, this does not apply to its original version, composed in 1874 and revised in 1876, whose enormous technical demands stood in the way of its dissemination from the outset. As the last of all Bruckner symphonies, the "1874 version" of the 'Fourth' was not premiered until 20 . September 1975, which took place in the Brucknerhaus Linz.

The symphony is preceded by two further works whose aim, already stated in the title, is to paint romantic moods in transfiguring tones. The first is the Ouverture romantique by Béla Kéler, who, like Bruckner and probably at the same time as him in 1855/56, was a pupil of Simon Sechter in Vienna and specialized in the production of dances and marches. Kéler's Mazzuchelli March was long wrongly attributed to Bruckner as the Apollo March and even included in his catalog of works, although it only served as a model for the composition of Bruckner's own March in E flat major for military music. Benjamin Godard's Concerto romantique takes the theme from the perspective of the French virtuoso concerto and was, perhaps for this very reason, extremely popular at the time.

Under the baton of star conductor Kent Nagano, Concerto Köln, which has been one of the top ensembles for historical performance practice for almost 40 years and whose concertmaster Shunske Sato is also the soloist in the violin concerto, will explore the question of what the catchword "Romantic" meant musically in the 1870s and will introduce the audience to the entire tonal spectrum of Romanticism using three examples.

Béla Kéler (1820-1882)

Ouverture romantique for orchestra, op. 75 (1872)

Benjamin Godard (1849-1895)

Concerto romantique for violin and orchestra in A minor, op. 35 (1876)

- Pause -

Anton Bruckner (1824-1896)

Symphony No. 4 ("Romantic") in E-flat Major, WAB 104 (1874, 1876) "Version 1874"

 

Shunske Sato | Violin

Concerto Cologne

Kent Nagano | Conductor

Anniversarium MMXXIV

Anton Bruckner felt a deep connection to the men's choral societies so characteristic of the 19th century from a young age. In the 1840s, he founded male quartets in both Kronstorf and St. Florian, in which he himself took part as second and first bass respectively, and joined the "Frohsinn" choral society in Linz in 1856, where he was subsequently elected choirmaster twice. From 1843 onwards, Bruckner wrote works for such choral societies for 50 years, i.e. his entire creative life, and was already described in Julius Schuberth's Musikalisches Conversations- Lexicon in 1877 as an "important composer of male choirs with and without orchestra" . His contemporaries Bedřich Smetana and Peter Cornelius, who together with Bruckner form the trio of 200-year-olds, followed in his footsteps and created a large number of patriotic, festive, nature, hunting, mourning and love songs for unaccompanied male choir.

In order to present the broadest possible cross-section of this charming but largely forgotten repertoire, the renowned Chorus Viennensis, consisting of former Vienna Boys' Choir, and the up-and-coming a cappella male ensemble Sonat Vox, whose members sang in the Windsbach Boys' Choir in their childhood, two top-class male choirs have joined forces to perform the music of the three jubilarians on German and Czech texts, sometimes alternately, sometimes together, thus presenting a program that is as unusual as it is unforgettable.

 

Anton Bruckner (1824-1896)

"An dem Feste" in D flat major for four-part male choir a cappella, WAB 59a (1843)

Bedřich Smetana (1824-1884)

Prayer (Modlitba) for male choir a cappella, JB 1:120 (1880)

Peter Cornelius (1824-1874)

Five funeral choruses for male voices, op. 9 (1869)

Bedřich Smetana

Píseň na moři(Song on the Sea) for male choir a cappella, JB 1:106 (1876-77)

Anton Bruckner

"Lebt wohl, ihr Sangesbrüder" A major for four-part male choir a cappella, WAB 83, No. 2 (1851)

Der Abendhimmel (I) in A flat major for male quartet a cappella, WAB 55 (1862)

Bedřich Smetana

Dedication (Věno) for male choir a cappella, JB 1:119 (1880)

- Pause -

Peter Cornelius

Sunrise, No. 3 from: Three four-part male choirs, op. op. (1844)

Anton Bruckner

Träumen und Wachen in A flat major for tenor solo and four-part male choir a cappella, WAB 87 (1890)

Peter Cornelius

The Old Soldier, No. 1 from: Three male choirs, op. 12 (1873)

Bedřich Smetana

Festive choir (Slavnostní sbor) for male choir a cappella, JB 1:99 (1870)

Peter Cornelius

"Es war ein alter König", No. 2 from: Three four-part male choirs, op. op. (1844)

Anton Bruckner

Serenade in G major for male quartet a cappella, WAB 84, No. 2 (around 1846)

"Im Wort und Liede wahr und fei" in C major for four-part male choir a cappella, WAB 148, No. 1 (1869)

Shooting Stars in F major for four male voices a cappella, WAB 85 (c. 1848)

Am Grabe in F minor for four-part male choir a cappella, WAB 2 (1861)

Der Abendhimmel (II) in F major for four-part male choir a cappella, WAB 56 (1866)

Trösterin Musik in C minor for four-part male choir a cappella, WAB 81b (1877)

 

 

Chorus Viennensis

Sonat Vox

Michael Schneider,

Justus Merkel | Management

The songs of the young Waldviertel native living in Vienna are slightly darkened, but never completely sinister. Even at a discreet room volume, her sensitive singer-songwriter pop completely captivates you. The intimate sound conveys a melancholy that always resonates in her tracks. Difficult moments are the best source of inspiration for Oska.

She hit the big time in mid-2020. The singer/songwriter signed her first record deal with the Canadian label Nettwerk, won the XA Music Export Award at the Waves Vienna Festival 2020 shortly afterwards, released her debut EP "Honeymoon Phase", landed many of her songs in the Austrian airplay charts and won her first Amadeus Austrian Music Award in the "Best Sound" category in 2022. With plays on the cultural radio station Ö1, the mainstream radio Ö3 and the alternative music radio FM4, she managed a balancing act in her home country that only very few artists are rewarded with in Austria. In addition to all the major publications in her home country, Oska has also won over the press in Germany, Holland, France, Italy and even the USA.

Maria is currently living out her rich musical heritage in Vienna, where she has completed her album "My world, My love, Paris". As Oska, she creates a tantalizing world of radiant melodies, groovy rhythms and poetic lyrics that tell stories. Ultimately, despite its disparate themes of love, grief, climate change and family, "My world, My love, Paris" is a snapshot of a young woman trying to make sense of growing older in an increasingly uncertain time.

Next Bruckner - The concert series curated by Ina Regen
11 concert evenings from January to November 2024 at Posthof Linz

Co-production: Posthof - Zeitkultur am Hafen

Ina Regen | Curation

Posthof - Zeitkultur am Hafen, Ina Regen | Co-production

Posthofstrasse 43 4020 Linz Details & Tickets

In addition to a string quintet by Michael Haydn, the Ballot Quintet will play Anton Bruckner's String Quintet and the Intermezzo for String Quintet originally conceived for this work, which offers a special insight into the history of the string quintet.

Office of the Provincial Government of Upper Austria; Department of Culture

Museumstrasse 14 4010 Linz

Bruckner's symphonies in their original sound
Liberate

Just three weeks after completing his 'Sixth', Anton Bruckner began composing the Symphony No. 7 in E major on September 23, 1881, which he completed in St. Florian on September 5, 1883, like the first work. Although the influential critic Eduard Hanslick later spoke disparagingly of a "giant symphonic snake", the work soon began its triumphal march, earning the 60-year-old the recognition he had long sought as a symphonist. His most famous movement, the Adagio, in which Bruckner used the so-called Wagner tubas for the first time and which has audible references to "Siegfried's Funeral March" from Götterdämmerung - Bruckner had become acquainted with the entire Ring of the Nibelung during his visit to the Bayreuth Festival in 1876 - was described by him as "funeral music (in memory of the master's passing)" under the impression of Richard Wagner's death on February 13, 1883.

Ernest Chausson's three-movement Symphony (No. 1) in B flat major, composed in 1889 and 1890, is in many respects a comparable document of the composer's self-liberation and eventual detachment from his previously overpowering role model Wagner. Its slow middle movement has the character of a confessional lament, while the finale echoes the music from Parsifal intended for Klingsor.

With this concert, the outstanding original sound orchestra Le Cercle de l'Harmonie, under the expert and electrifying direction of its founder Jérémie Rhorer, continues its now internationally acclaimed exploration of Bruckner's work, which began at the International Brucknerfest Linz 2020, and also gives a milestone in the history of French symphonic music its first hearing at the Brucknerhaus Linz.

 

Ernest Chausson (1855-1899)

Symphony (No. 1) in B flat major, op. 20 (1889-90)

- Pause -

Anton Bruckner (1824-1896)

Symphony No. 7 in E major, WAB 107 (1881-83)

 

Le Cercle de l'Harmonie

Jérémie Rhorer | Conductor

Bruckner's symphonies in their original sound
Adore

Anton Bruckner's Symphony No. 5 in B flat major, composed between February 1875 and May 1876, which he himself called his "contrapuntal masterpiece" , is a truly powerful work, permeated by a dense network of motivic relationships, whose final movement was considered by conductor Wilhelm Furtwängler to be the "most monumental finale in the entire musical literature of the world" . The composer never heard his work in its original form, which was not premiered until 1935, and only added a bass tuba to the orchestra and changed a few minor details in the course of a revision between May 1877 and January 1878. The symphony therefore only exists in a single version.

Wolfgang Amadé Mozart's Requiem in D minor was considered a central work by Bruckner throughout his life and was an important point of reference for his own church music. He also repeatedly analyzed its score thoroughly, as evidenced by part-writing studies, the results of which he entered in his Krakow writing diary for 1877. What is less well known, however, is that it served him to a certain extent as a blueprint and 'motif source' for his 'Fifth'. In addition to a literal quotation of the phrase "Qua resurget ex favilla / Iudicandus homo reus" from the "Lacrymosa" in the second movement of the symphony, almost all of the themes in all four movements of the work refer to the Requiem.

Presumably for the first time ever, the world-famous Orchestra of the Age of Enlightenment and Ádám Fischer, one of the most important conductors of our time, supported in the Mozart Requiem by an excellent quartet of soloists and the outstanding Ad Libitum Choir, will allow listeners to experience this exciting connection by juxtaposing the two works in one concert.

 

Wolfgang Amadé Mozart (1756-1791)

Requiem in D minor, KV 626 (1791) [after the edition of the completion by Franz Xaver Süßmayr (1766-1803) published in 1877 and edited by Johannes Brahms (1833-1897)]

- Pause -

Anton Bruckner (1824-1896)

Symphony No. 5 in B flat major, WAB 105 (1875-76, rev. 1877-78)

 

Fenja Lukas | Soprano

Michaela Selinger | mezzo-soprano

João Terleira | Tenor

Alexandre Baldo | Bass

 Choir Ad Libitum

The Orchestra of the Age of Enlightenment

Ádám Fischer | Conductor

A "something", an "in-between", a fifteen-year-old punk girl is required to perform one hundred hours of community service for various offenses with an old man who is unable to leave his room due to his mobility restrictions. The man reads books that don't interest the girl and listens to music that always sounds the same to the girl. It turns out that the man is mainly concerned with the question of the cymbal beat in Anton Bruckner's Seventh Symphony. He seems unwavering in his pursuit of the question of how much loud exaggeration some things need in order to be understood, and how easily one is inclined to find something ridiculous because one does not recognize complexity, humility and sublimity. Although the young girl does her best to resist this, a relationship develops with the old woman. Eventually, she is able to ask questions and reveal something about herself.

Manuela Linshalm is a freelance actress, puppeteer and lecturer at the Filmacademy Vienna. After training at the Franz Schubert Conservatory and apprenticeships with Nikolaus Habjan and Neville Tranter, she has been performing continuously at the Schubert Theater Vienna since 2009, where three solo puppet theater pieces have appeared to date (most recently "Die Welt ist ein Würstelstand"). Other engagements include the Akademietheater Wien, Theater an der Wien, Residenztheater München, Landestheater NÖ, Vereinigte Bühnen Bozen, Bayerische Staatsoper, Volkstheater Wien, Rabenhof Theater, Next Liberty Graz, Theater in der Josefstadt, Theater Dortmund and many more.

Paulus Hochgatterer lives as a storyteller, playwright and child and adolescent psychiatrist in Vienna and in the Waldviertel. His narrative work has been translated into more than 15 languages and has won numerous awards. In recent years, his plays have been performed at various theaters in the German-speaking world, including the Schauspielhaus Graz, the Residenztheater Munich, the Schauspielhaus Stuttgart, the Burgtheater Vienna and the Opera Festival in Bayreuth. Most of his stage works were created for the Austrian director and puppeteer Nikolaus Habjan.

The sleeping whale
Play by Paulus Hochgatterer

Play: Manuela Linshalm
Director, set: Simon Meusburger
Co-production: Posthof - Zeitkultur am Hafen, Schubert Theater Vienna
World premiere: 9.10.2024 Posthof, Linz

Posthofstrasse 43 4020 Linz Details & Tickets

Bruckner in St. Mary's Cathedral

Anton Bruckner's Missa solemnis in B flat minor, composed in 1854, represents the sum of his engagement with tradition at the time and reveals influences from Johann Sebastian Bach, the Viennese classics and Franz Schubert, but also shows the considerable compositional skill he had acquired in the meantime, for example in the fugue work. The mass surprises with its unusual opening key of B flat minor, which brightens to B flat major as it progresses. In contrast, the famous Te Deum, which Bruckner completed 30 years later without a corresponding commission or the concrete prospect of a performance opportunity, begins in glistening C major. The outstanding importance that this hymn had for its creator is expressed not least in the fact that he described it as the "pride of his life" and "his best work" .

The orchestral work Elysium by the then 40-year-old Canadian composer and conductor Samy Moussa, which refers to Bruckner's Symphony No. 4(Romantic) in E flat major and was premiered by the Vienna Philharmonic under the direction of Christian Thielemann in Barcelona's Sagrada Família in 2021, acts as a 'sound bridge' between the ambitious mass composition by the almost 30-year-old and the masterful hymn to God, which he completed at the age of almost 60.

At this church concert, the voices of four excellent soloists and a large number of talented young choir singers from all over Upper Austria are entrusted with the service and prize of sound. The Upper Austrian Youth Symphony Orchestra, which accompanies them and is made up of the best young musicians in the state, is conducted by its patron Markus Poschner.

 

Anton Bruckner (1824-1896)

Missa solemnis in B flat minor for soloists, four-part mixed choir, orchestra and organ, WAB 29 (1854)

Samy Moussa (* 1984)

Elysium for orchestra (2021)

Anton Bruckner

Te Deum in C major for soloists, four-part mixed choir, orchestra and organ, WAB 45 (1881, 1883-84)

 

Fenja Lukas | Soprano

Michaela Selinger | mezzo-soprano

João Terleira | Tenor

Alexandre Baldo | bass-baritone

Mozart Choir of the Musikgymnasium Linz

Upper Austrian State Youth Choir

Upper Austrian

Youth Symphony Orchestra

Markus Poschner | Conductor

Bruckner's symphonies in their original sound
Deify

Anton Bruckner began composing the Symphony No. 9 in D minor on August 12, 1887, just two days after he had (initially) completed the 'Eighth'. The fact that he was unable to complete it before his death on October 11, 1896 was less due to age or a decline in creative powers than to a three-year interruption in work on the new work, during which he undertook a fundamental revision of four of his symphonies. Bruckner is said to have confided to his doctor shortly before his death that he wanted to dedicate the 'Ninth ' "to the good Lord" in the hope "that he will give me enough time" to"complete it". The three-movement torso, as which he left the symphony at the end, pushes forward to the limits of tonality through the "unrestrained unleashing of the harmonic centrifugal forces" and thus opens the door to the music of the 20th century wide open.

The monumental fragment is combined with Wolfgang Amadé Mozart's Symphony No. 41 in C major, which the concert organizer Johann Peter Salomon, probably at the beginning of the 19th century, gave the nickname "Jupiter" to express the almost divine perfection of this symphonic masterpiece, which has never been surpassed, as well as with Bernd Alois Zimmermann's Stille und Umkehr, orchestral sketches which, written a few months before the composer's suicide, make abandonment and resignation sound in a harrowing way.

For the crowning finale of the symphony cycle, the original sound orchestra Les Siècles and its founder, the star conductor François-Xavier Roth, which is in demand and acclaimed worldwide, make it possible to experience the last symphonies or orchestral pieces of three great composers from three centuries as divine, godforsaken and god-pleasing works.

Wolfgang Amadé Mozart (1756-1791)

Symphony No. 41 ("Jupiter") in C major, KV 551 (1788)

- Pause -

Anton Bruckner (1824-1896)

Symphony No. 9 in D minor, WAB 109 (1887-94)

 

Les Siècles

François-Xavier Roth | Conductor

Two unfinished symphonies

Under the direction of its chief conductor François-Xavier Roth, the celebrated original sound orchestra Les Siècles will present two symphonies that remained unfinished at this An.Ton.Hören school concert for the 14+ age group.

Firstly, Anton Bruckner's 'Ninth', which he initially did not really want to begin composing, as he confessed to his pupil Josef Gruber: "'I' mag dö Neunte gar nöt anfangen, i' trau mi' nöt, denn', he said solemnly continuing in written German, 'auch Beethoven machte mit der Neunten den Abschluss seines Lebens'." Bruckner left his work as a three-movement fragment, although there were nine years between the start of work on it and his death, during which he was partly occupied with revising his other symphonies. On the other hand, Franz Schubert's Symphony No. 7 in B minor can be heard, of which he only completed the first two movements. He abandoned work on the third movement after just a few bars for unknown reasons. Ludwig van Beethoven was also Schubert's great role model. It is therefore quite possible that he did not complete his symphony, which became famous as the "Unfinished" , because he feared that it would not meet his own expectations and would not stand up to comparison with the works of his idol.

 

Excerpts from:

Franz Schubert (1797-1828)

Symphony No. 7 ("Unfinished") in B minor, D 759 (1822)

Anton Bruckner (1824-1896)

Symphony No. 9 in D minor, WAB 109 (1887-94)

 

Les Siècles

François-Xavier Roth | Conductor

The Composition Workshop: Composing in HIMMLISCHER HÖHE aims to be a place that offers young composers space for exciting sound experiments in and with Austria's largest church. On the occasion of the anniversaries "100 years of the Mariendom Linz" and "200 years of Anton Bruckner", it offers the extraordinary opportunity for an intensive exchange between young composers (born in 1998 and later) and professional musicians as well as an exciting experience for the (sound) artistic career.

The vocal compositions, which were created following a workshop in the footsteps of Anton Bruckner and St. Mary's Cathedral as well as a composition residency in the Türmerstube at a height of 68 meters above Linz, will be premiered at the presentation concert by the renowned Ensemble Cantando Admont under the direction of Cordula Bürgi in the presence of the young sound creators.

Accessibility:
St. Mary's Cathedral
Phone number
e-mail

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024

Ensemble Cantando Admont Vocal Ensemble | Vocal Ensemble

Cordula Bürgi | Management

Cathedral Square 1 4020 Linz Details & Tickets

Are you curious about Bruckner? Would you like to dive deeper into the world of the composer and the man himself? Would you like to pass on your own enthusiasm and knowledge?

Take advantage of this entertaining course offering all the music and information from and about Bruckner that it will take to expand your Bruckner horizons.

Number of participants:
The crash course will take place with a minimum of 5 participants and is limited to 25 participants.

Promenade 37 4020 Linz Details & Tickets

Bruckner as part of the club scene? In April, the STREAM CLUB and state music students studying digital music production proved that this is possible. And the beat goes on: "It all started with the idea of creating new approaches to Anton Bruckner's classical music," Ilona Roth from Transitheart Productions explains. The latter is a label for artistic  productions in the field of contemporary dance and theatre with interfaces to performance art, film and video. Together with the Linz-based collective Holy Hydra, she has devised Bruckner's Beats and presents pieces by Bruckner featuring electronic remixes and new arrangements in a club atmosphere. Sound installations, performances, art happenings and interventions - Anton Bruckner becomes danceable and tangible.

In three rooms, you can listen to interpretations of Bruckner's symphonies by DJs and musicians, immerse yourself in parallel worlds of sound, accompanied by live interaction from dancers, via a headphone audio system on three channels. Along the way, you can talk about Bruckner, toast him and philosophize about him. Supported by club sounds - loud and quiet at the same time - thoughtful but also danceable, ambivalent like Bruckner himself.

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024

Transitheart Productions coop Holy Hydra

Sonnensteinstrasse 11-13 4040 Linz

Halluzination is a new production of Anton Bruckner's 1868 composition Erinnerung that combines artificial intelligence, live music, performance, singing, holographic laser projections and light - to create a new, sensual level of perception that combines classical music, contemporary art and the avant-garde.
The artist, composer, singer and music producer Crystn Hunt Akron, together with intermedia artist Chris Noelle - who is designing the visualization - and Ali Nikrang, who works as a composer, artist and key researcher at the Ars Electronica Futurelab, are responsible for the resurrection of this Bruckner work in a musical-performative-visual dream world.
The art makes use of artificial intelligence: it generates a piece that represents a kind of memory of memory and is rearranged and remixed.

Accessibility:
Klemens Hager
+43 (0) 676 8776-5656
klemens.hager@dioezese-linz.at

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024 with the kind support of the Federal Ministry for Arts, Culture, the Civil Service and Sport

Christine Hinterkörner aka CRYSTN HUNT AKRON/Singer, composer, sound and performance artist | Artistic direction & idea

Chris Noelle/Intermedia Artist | Visualization

Ali Nikrang, Ars Electronica Futurelab/Key Researcher, Composer, Artist | AI Music

Artists:inside from Linz and Upper Austria | Live performance

Urfahr parish church / Grüner Anker 4040 Linz
Logo of the Federal Ministry of Arts, Culture, Civil Service and Sport

TONI ON TOUR, a summer tour of the Upper Austrian Children's University with Anton Bruckner. At all locations in Upper Austria, children can immerse themselves in Toni's fascinating world for a day and experience a creative combination of science and music as well as old and new, classical and contemporary musical worlds. TONI, the little explorer, collects musical treasures in Upper Austria and presents a colorful music concert at the graduation in Steyr in August.

Registration: Monday, 16.10.2024 from 18:00

A project of the Upper Austrian KulturEXPO Anton Bruckner 2024 in cooperation with the KinderUni

KinderUni Upper Austria (supporting organization: Institute for Applied Environmental Education)

Details & Tickets

Are you curious about Bruckner? Would you like to dive deeper into the world of the composer and the man himself? Would you like to pass on your own enthusiasm and knowledge?

Take advantage of this entertaining course offering all the music and information from and about Bruckner that it will take to expand your Bruckner horizons.

Number of participants:
The crash course will take place with a minimum of 5 participants and is limited to 25 participants.

Promenade 37 4020 Linz Details & Tickets

The new Ina Regen is colorful and light. And yet as poetic and true to life as usual. Almost two years to the day have passed since the #1 album "røt" and these have been exciting, but above all intense and turbulent times that have affected and touched the whole world. Times that have naturally not left a sensitive artist like Ina Regen unscathed. This was enough of an impetus to initiate a number of changes and to give space to the experiences she herself has lived through in her music and to make them audible.

The music that the Vienna-based singer-songwriter presents to her fans this time is almost as colorful as the album cover. This can be seen as the consistent further development of a charismatic, energetic and eloquent artist. Or as an expression of the new-found self-confidence of a woman whose voice has become an indispensable companion for large sections of the public. But it is certainly the joy of breaking through the boundaries she once imposed on herself and reinventing herself, surprising and yet remaining true to herself. "If I had to give this creative period a title, it would be 'Emancipation'," says Ina Regen herself.

Ina Regen has also emancipated herself on a professional level. "Fast wie Radlfahrn" is the first album on her own label Nannerl. For the Amadeus Award winner, this step towards independence was a logical consequence of her career. "Over the last few years, I have increasingly understood that my creativity is nourished by a playful impulsiveness and an unwavering gut feeling. So that my profession can continue to give me this joy and my music can also be part of my honest attitude to life in the long term, the greatest possible self-determination is the only way to happiness for me personally."

Next Bruckner - The concert series curated by Ina Regen
11 concert evenings from January to November 2024 at Posthof Linz

Co-production: Posthof - Zeitkultur am Hafen

Ina Regen | Curation

Posthof - Zeitkultur am Hafen, Ina Regen | Co-production

Posthofstrasse 43 4020 Linz Details & Tickets

Are you curious about Bruckner? Would you like to dive deeper into the world of the composer and the man himself? Would you like to pass on your own enthusiasm and knowledge?

Take advantage of this entertaining course offering all the music and information from and about Bruckner that it will take to expand your Bruckner horizons.

Number of participants:
The crash course will take place with a minimum of 5 participants and is limited to 25 participants.

Promenade 37 4020 Linz Details & Tickets

Subscribe to the newsletter ...

log on
Cookie Consent with Real Cookie Banner